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The Concept and Practice of Conversation in the Long Eighteenth Century, 1688-1848
This collection of essays brings together eighteenth-century scholars from a variety of disciplines, to discuss conversation in the eighteenth century as concept and practice. At the heart of the volume is a simple question: are eighteenth-century conceptualisations of the role and purpose of conversation still relevant or useful to scholars and thinkers today? This volume contains essays by leading scholars of the period as well as early career researchers, and answers a need for a broad-ranging discussion of the concept of conversation in the arts, social sciences and humanities. The long eighteenth century is a particularly fruitful starting point for work on this topic, since ideas about...
Art and Identity
This lively and erudite cultural history examines how Scottish identity was experienced and represented in novel ways.
In Defiance of Time
In Defiance of Time contends that the antiquarian project, integral to early modern literary and intellectual culture, depended on the antiquaries' capacity to restore - in their imagination at least - the fragments of the past. It offers original readings of important authors such as Leland, Stow, Spenser, Camden, Drayton, and Selden.
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century English Women
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century English Women explores the vital and unexplored ways in which women's life writings acted to undergird, guide, and indeed shape religious communities. Through an exploration of various significant but understudied personal relationships- including mentorship by older women, spiritual friendship, and care for nonbiological children-the book demonstrates the multiple ways in which women were active in writing religious communities. The women discussed here belonged to communities that habitually communicated through personal writing. At the same time, their acts of writing were creative acts, powerful to build and shape religiou...
Conversing in Verse
Conversing in Verse considers poems of conversation from the late eighteenth into the twentieth centuries – the very period when a more restrictive conception of poetry as the lyric product of the poet's solitary self-communing became entrenched. With fresh insight, Elizabeth Helsinger addresses a range of questions at the core of conversational poetry: When and why do poets turn to conversation to explore poetry's potential? How do conversation's forms and intentions shape the figures, rhythms, and prosody of poems to alter the reader's experience? What are the ethical and political stakes of conversing in verse? Coleridge, Clare, Landor, Tennyson, Robert Browning, Christina and Dante Gabriel Rossetti, Swinburne, Michael Field, and Hardy each composed poems that open difficult or impossible conversations with phenomena outside themselves. Helsinger unearths an unfamiliar lyric history that produced some of the most interesting formal experiments of the nineteenth century, including its best known, the dramatic monologue.
Virgil's Fourth Eclogue in the Italian Renaissance
This pioneering study reveals the central place held by Virgil's 'messianic' Eclogue in the art and literature of Renaissance Italy.
The Society of Timid Souls
This book is a modern investigation of an ancient virtue, inspired by a group for stage-frightened musicians in 1940s Manhattan. Coinciding with the terrifying height of World War Two, it was called The Society of Timid Souls. Seventy years later, as fear about everything from terrorism to economic meltdown has become part of our daily lives, Polly Morland reconvenes the society, setting out to discover what it means to be brave in an age of anxiety. Her journey-and this book-is full of amazing people and surprising ideas. It explores how and why people are brave, from battlefield to hospital ward, circus tightrope to suburban street, disaster zone to political protest. It throws light on some of the myths and lies that surround our favourite virtue. And most of all, it asks can we learn to be brave?
Romantic Things
Our thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Changing Pedagogies for Children in Eighteenth-Century England
"Published in association with BSECS, British Society for Eighteenth-Century Studies"
