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The Musical World
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America's Music, from the Pilgrims to the Present
A history of American music, its diversity, and the cultural influences that helped it develop.
The Voices that Are Gone
In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.
Theatrical Biography
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Publications of the Dunlap Society
New Series. Contents. --no. 1. Daly, Charles Patrick. First theater in America. 1896. --no. 2. Pence, J. H. The magazine and the drama. --no. 4. Gladding, W. J. A group of theatrical caricatures. 1897. --no. 5. Greenwood, I. J. The circus. 1898. --no. 6. Mapes, Victor. Duse and the French. --no. 7. Winter, William. A wreath of laurel. --no. 8. Ford, Paul Leicester. Washington. 1899. --no. 9. Clapp, J. B. Players of the present. 1899-1901. --no. 11. Clapp, J. B. Players of the present. 1899-1901. --no. 12. Roden, Robert F. Later American plays. 1900. --no. 14. Edgett, E. F. Edward Loomis Davenport. 1901. --no. 15. Keese, W. L. A group of comedians.
Women in Music
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
The Musical Magazine
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