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In this beautifully illustrated anthology more than fifty acclaimed Irish novelists, playwrights and poets - including Seamus Heaney, Colm Tóibín and Roddy Doyle - explore ideas and tell stories about art, love, family, dreams, memory and places using pictures from the over 15,000 works of art in the National Gallery of Ireland as inspiration. The artworks and the literary responses to them are wonderfully perceptive and, at times, deeply personal, inviting us to look at art in new lights and from different angles. The book is published to mark the 150th anniversary of the National Gallery of Ireland. Janet McLean is Curator of European Art, 1850 - 1950, at the National Gallery of Ireland. 'Beautifully produced ... a perceptive, original and enjoyable anthology' - Irish Arts Review
Janet McLean explores how the common law has personified the state and how those personifications affect and reflect the state's relationship to bureaucracy, sovereignty and civil society, the development of public law norms, the expansion and contraction of the public sphere with nationalization and privatization, state responsibility and human rights. Treating legal thought as a variety of political thought, she discusses writers such as Austin, Maitland, Dicey, Laski, Robson, Hart, Griffith, Mitchell and Hayek in the context of both legal doctrine and broader intellectual movements.
Previous studies of early Scottish emigration to the New World have tended to concentrate on the miseries of evictions and the destruction of old communities. In this groundbreaking study of the influx of Scots to Prince Edward Island, the widely held assumption that emigration was solely a flight from poverty is challenged. By uncovering previously unreported ship crossings, as well as a wide range of manuscripts and underused sources such as customs records and newspaper shipping reports, the book provides the most comprehensive account to date of the influx of Scots to the Island. “A Very Fine Class of Immigrants” is essential reading for individuals wishing to trace family links or deepen their understanding of how and why the Island came to acquire its distinctive Scottish communities. And by accessing, for the first time, shipping sources like Lloyd’s List and the Lloyd’s Shipping Register, the author brings a new dimension to our understanding of emigrant travel. Campey demonstrates that far from sailing on disease-ridden leaky tubs, as popularly imagined, the Island’s Pioneer Scots usually crossed the Atlantic on the best available ships of the time.
The Last Happy Year: A Novel by Rod Coneybeare
One hundred and eighty-nine men drowned in a single afternoon in Scotland's worst fishing disaster. It is a forgotten part of the nation's past, yet it happened just a hundred and twenty years ago. It decimated the coastal community of Eyemouth where the effects of Black Friday are felt to this day. Children of the Sea is the remarkable story of a village on the margins of the sea and at the edge of the country. It is a tale of survival through the wars of independence and the witch-hunts of the seventeenth century; of danger and high jinks when Eyemouth was the centre of a massive smuggling ring; and above all of the hope and tragedy of fishing and of battles with the minister. It is a story of a people who fought to survive, and whose voice can now be heard, from tales handed down through the generations.
Two ducks don't want to play with Josh the dog, until he finds a pool to splash around in.
Papers from a July 1998 conference, written by public lawyers, property lawyers, and legal philosophers, examine public dimensions of private property. Contributors consider whether property is a human right, and look at its role in making responsible citizens, its relationship to freedom of speech, constitutional protections of private property, and attempts to redress historical wrongs by property settlements to indigenous people. The editor is former director of the New Zealand Institute of Public Law, and a lecturer at the University of Auckland, New Zealand. Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
Business corporations can and do violate human rights all over the world, and they are often not held to account. Emblematic cases and situations such as the state of the Niger Delta and the collapse of the Rana Plaza factory are examples of corporate human rights abuses which are not adequately prevented and remedied. Business and human rights as a field seeks to enhance the accountability of business – companies and businesspeople – in the human rights area, or, to phrase it differently, to bridge the accountability gap. Bridging the accountability gap is to be understood as both setting standards and holding corporations and businesspeople to account if violations occur. Adopting a le...
This is the first anthropological study of writers, writing and contemporary literary culture. Drawing on the flourishing literary scene in Ireland as the basis for her research, Helena Wulff explores the social world of contemporary Irish writers, examining fiction, novels, short stories as well as journalism. Discussing writers such as John Banville, Roddy Doyle, Colm Tóibín, Frank McCourt, Anne Enright, Deirdre Madden, Éilís Ní Dhuibhne, Colum McCann, David Park, and Joseph O ́Connor, Wulff reveals how the making of a writer's career is built on the 'rhythms of writing': long hours of writing in solitude alternate with public events such as book readings and media appearances. Destined to launch a new field of enquiry, Rhythms of Writing is essential reading for students and scholars in anthropology, literary studies, creative writing, cultural studies, and Irish studies.
This book argues that judges sacrifice individual rights by using less than their full powers in order to appear democratically legitimate.