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The Topos of Music
With contributions by numerous experts
The Topos of Music I: Theory
This is the first volume of the second edition of the now classic book “The Topos of Music”. The author explains the theory's conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives.
texts 1992 2016
The current edition is available in English and made up of all the texts previously published by the author between 1992 and 2016, along with some other original texts, some of which have been the subject of online prepublications, written in 2016 and 2017. This book is more than a twenty-five-year progress report in terms of writing, having gone hand in hand with, as a counterpoint, a wealth of experience in the world of work, like a celebration of life and unique paths in all their complexity. D. H. T. and Eric D. are Terence DEN HOED's pseudonyms.
Francesco's Venice
Looks at the history of Venice, from the fifth century to the present day.
The Topos of Music IV: Roots
This is the fourth volume of the second edition of the now classic book “The Topos of Music”. The author presents appendices with background material on sound and auditory physiology; mathematical basics such as sets, relations, transformations, algebraic geometry, and categories; complements in physics, including a discussion on string theory; and tables with chord classes and modulation steps.
Theatre Record
None
Men for Men
As soon as the invention of photography made it possible to be photographed with one's loved one, early daguerreotypes - small, unique images housed in their cases - were made as tokens of enduring affection or intimacy. Male couples were no exception. Under strict Victorian moral conventions photographs of the male nude were reserved strictly for academic study by artists. It was not until the early twentieth-century that the first openly homosexual photographers were able to explore the overtly erotic, and this they did by wrapping their subjects in historical reference by evoking images of ancient Greece or Pre-Raphaelite symbolism. After Alfred Kinsey's revelations of male sexuality, pub...
Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Francesco's Italy
Following the success of Francesco's Venice, Francesco da Mosto ventures further afield, this time taking in all of Italy. As he visits the spectacular lakes and fashionable cities of the north and passes through the hills of Tuscany before heading south towards Rome, Naples, and Palermo, he celebrates the country's art and culture--its cathedrals, churches, palaces, opera houses, paintings, sculpture, music, and cuisine. Introducing us to many of the figures who populate the country's rich and vibrant history, his journey also takes in Italian society as it is today. Splendidly illustrated with John Parker's breathtaking color photos and enlivened with marvelous anecdotes about his family and the fascinating characters he meets along the way, Francesco's Italy is the story of both the country we all know and love and the secret Italy only an insider can reveal.
Last Falls
This essay about political fiction, musical biography, psychological reflection and, in the final chapter, "A dead-end universe", science-fiction, pushes the limits of fiction and makes in the field of literary essays, whose territory is always characterized by terminology problems, at the edge of pure concepts, which are to be found in other essays that aren’t expressly apparent here: philosophical essays. Related approaches create the unity of this essay around high standards, individualism, intellectual rigor and disillusionment. The Last Falls metaphor, explaining the title of the work, is reflected in incomplete elements of truth, which condemn the exercise undertaken to synthetize information to certain failure.
