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Jane Campion is one of the most celebrated auteurs of modern cinema and was the first female director to be awarded the prestigious Palme d'Or. Throughout her relatively short career, Campion has received extraordinary attention from the media and scholars alike and has provoked fierce debates on issues such as feminism, colonialism, and nationalism. In this detailed account of Jane Campion's career as a filmmaker, Deb Verhoeven examines specifically how contemporary film directors 'fashion' themselves as auteurs – through their personal interactions with the media, in their choice of projects, in their emphasis on particular filmmaking techniques and finally in the promotion of their films. Through analysis of key approaches to Campion's films, such as The Piano; In the Cut; Sweetie; An Angel at My Table; and Holy Smoke Deb Verhoeven introduces students to the passionate debates surrounding this controversial and often experimental director Featuring a career overview, a filmography, scene by scene analysis and an extended interview with Campion on her approach to creativity, this is a great introduction to one of the most important directors of contemporary cinema.
Cet album est celui des dix premières années de la télévision française ; celui des souvenirs de notre jeunesse, quand nous découvrions la magie des images, qui allaient désormais accompagner notre vie ; celui de l'enthousiasme de ces pionniers - d'à peine trente ans - qui se lancèrent dans un métier dont ils devaient inventer les lois, dans une pauvreté de moyens qui confinait au dénuement. Henri Spade, entré à la télévision quatre ans après la guerre, à 29 ans, est de cette poignée d'hommes qui, pour beaucoup d'entre eux, sortis des combats de l'ombre, se battirent et se battent encore pour la lumière du petit écran. Quelle aventure ! 1950 : un unique studio, deux caméras, vingt heures de programmes par semaine, 3 800 récepteurs. 1959 : un million et demi de récepteurs, cinquante-cinq heures d'émissions. Visages disparus ou toujours présents, grandes premières, émissions légendaires, essais incertains, ces quatre cent cinquante photographies inédites nous en restituent l'histoire et la vivante image, celle d'un temps à peine envolé.
The Lloyd's Register of Shipping records the details of merchant vessels over 100 gross tonnes, which are self-propelled and sea-going, regardless of classification. Before the time, only those vessels classed by Lloyd's Register were listed. Vessels are listed alphabetically by their current name.