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Yeats, Philosophy, and the Occult collects seven new essays on aspects of Yeats's thought and reading, from ancient and modern philosophy and cosmological doctrines, mysticism and esoteric thought.
Romantic Poets and the Laughter of Feeling embraces the sublime and the ridiculous to offer a compelling new reading of British Romanticism. Matthew Ward reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics.
Through a wide variety of verbal and pictorial references, this book demonstrates how Wordsworth's iconography, albeit apparently 'collateral', makes crucial contributions to his central arguments and preoccupations in The Excursion, as well as in his other major works.
This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
Verdant with illustrations, a meditation upon the rootedness of trees in Wordsworth’s writing and beyond. This is the first book to address William Wordsworth’s profound identification of the spirit of nature in trees. It looks at what trees meant to him, and how he represented them in his poetry and prose: the symbolic charm of blasted trees, a hawthorn at the heart of Irish folk belief, great oaks that embodied naval strength, yews that tell us about both longevity and the brevity of human life. Linking poetry and literary history with ecology, Versed in Living Nature explores intricate patterns of personal and local connections that enabled trees—as living things, cultural topics, horticultural objects, and even commodities—to be imagined, theorized, discussed, and exchanged. In this book, the literary past becomes the urgent present.
The Cambridge Companion to Wordsworth provides a wide-ranging account of one of the most famous Romantic poets. Specially commissioned essays cover all the important aspects of this multi-faceted writer; the volume examines his poetic achievement with a chapter on poetic craft, other chapters focus on the origin of his poetry and on the challenges it presented and continues to present. The volume ensures that students will be grounded in the history of Wordsworth's career and his critical reception.
A comprehensive examination that breathes new life into Wordsworth and the ethical concerns that were vital to his nineteenth-century readers. Why read Wordsworth’s poetry—indeed, why read poetry at all? Beyond any pleasure it might give, can it make one a better or more flourishing person? These questions were never far from William Wordsworth’s thoughts. He responded in rich and varied ways, in verse and in prose, in both well-known and more obscure writings. Wordsworth's Ethics is a comprehensive examination of the Romantic poet’s work, delving into his desire to understand the source and scope of our ethical obligations. Adam Potkay finds that Wordsworth consistently rejects the ...
Previously unpublished tour diaries by one of the most influential journalists of the Romantic era. Notorious for his sustained critical attacks on Wordsworth and the 'Lakers', Francis Jeffrey is revealed in these tour diaries as a man thoroughly at one with many aspects of the Romantic era, and in particular with the first generation's love of highland scenery, and the second generation's fascination with continental travel. The work contains trancriptions from manuscript of Jeffrey's Highland Tour of 1800, and his Continental Tour of 1823. The Editor has contributed an Introduction on 'Francis Jeffrey and Travel - Landscape, Taste and Aesthetics', and an account of Jeffrey's Continental Itinerary.
In 1798, Coleridge persuaded Wordsworth that it was his destiny to write the first truly philosophical poem, a project Wordsworth dubbed 'The Recluse, or Views of Nature, Man and Society'. It was, as Wordsworth eventually conceived it, to be a poem in three Parts, each of many books. This is the first ever edition of all the poetry intended to form part of the great work. It includes two poems already written in 1798, 'The Old Cumberland Beggar' and 'A Night Piece'; 'Home at Grasmere' (1806), designated 'The Recluse, Part First, Book First'; four other short poems written for 'The Recluse' in 1808 and 1826; and 'The Recluse, Part Second', otherwise known as 'The Excursion' in the text of 1814. (This is the only reading edition of the original text of 'The Excursion'.) The texts included are selected from 'The Poems of William Wordsworth: Collected Reading Texts from the Cornell Wordsworth', edited by Jared Curtis and first published by Humanities-Ebooks in 2009.