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A collection of essays representing Anders's thinking over several decades, 'Between Fire and Sleep' offers a fresh understanding of modern Polish cultural identity.
Marek Hlasko's literary autobiography is a vivid, first-hand account of the life of a young writer in 1950s Poland and a fascinating portrait of the ultimately short-lived rebel generation. Told in a voice suffused with grit and morbid humor, Hlasko's memoir was a classic of its time. In it he recounts his adventures and misadventures, moving swiftly from one tale to the next. Like many writers of his time, Hlasko also worked in screen writing, and his memoir provides a glimpse into just how markedly the medium of film affected him from his very earliest writing days. The memoir details his relationships with such giants of Polish culture as the filmmaker Roman Polanski and the novelist Jerz...
"Though best known as poets, Adam Zagajewski (born 1945), Zbigniew Herbert (1924-98), and Joseph Brodsky (1940-96) wrote some of the most original prose of this century. It is this prose - remarkable for its cross-cultural complexity and interdisciplinary richness - that concerns Bozena Shallcross in Through the Poet's Eye. The travels undertaken by these Eastern European poets, who each journeyed to the West under different circumstances, give Shallcross her point of departure as she explores the connections between the sensory experience of travel and the revelatory perception of the visual arts manifest in their writings." --Book Jacket.
Winner of the 2003 Nobel Prize in Literature. J. M. Coetzee presents a coherent, unorthodox analysis of censorship from the perspective of one who has lived and worked under its shadow. The essays collected here attempt to understand the passion that plays itself out in acts of silencing and censoring. He argues that a destructive dynamic of belligerence and escalation tends to overtake the rivals in any field ruled by censorship. From Osip Mandelstam commanded to compose an ode in praise of Stalin, to Breyten Breytenbach writing poems under and for the eyes of his prison guards, to Aleksander Solzhenitsyn engaging in a trial of wits with the organs of the Soviet state, Giving Offense focuse...
What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history? Or is it okay to lie in such works? In her provocative study A Thousand Darknesses, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts ...
This book grapples with a wide range of contemporary ethical and religious issues through the lens of the reflections of Charles Péguy on his friend and mentor Bernard-Lazare. Both Péguy, a leading French Catholic poet and philosopher, and Bernard-Lazare, an iconoclastic Jewish intellectual, were passionately involved in the Dreyfus Affair, which forms the background of these reflections. The book is in four parts. The first sets Péguy’s portrait of Bernard-Lazare in a series of contexts, analyzing it against the background of the rampant antisemitism of its time, situating it in relation to present-day discussions about the "Other,” and, especially, placing it within various twentiet...
“I just plain loved In the Land of Temple Caves. Frederick Turner makes a compelling case for civility organized in response to culture–shaping art as our most ancient source of saving graces. Beautifully said, humanely thought out, the story he tells is particularly useful in these sorrowful times. Read, and take heart!” —William Kittredge, author of The Willow Field In the Land of Temple Caves travels back to the very beginning of Art to assess anew its meanings in the long human story. Frederick Turner makes a personal investigation of sanctuaries in France and Spain that the great mythographer Joseph Campbell called the “temple caves,” the earliest known of which contains paintings and engravings more than 32,000 years old, works of art more advanced than the hunting implements by which their creators lived. In caves and prehistoric shelters, along the valleys tracing the mighty rivers of the Ice Age, in a war–ravaged village, and in a city church far removed from the country of the caves, Turner finds resonant meaning in what he has always believed to be true. Art does matter—vitally—and never more than now.
"This anthology introduces readers to the rich body of travel writing from eastern Europe. It presents a selection of accounts written over the past 450 years, chosen from many different types of author - from the well-known to the obscure - and representing many different genres of travel writing, from personal letters to self-consciously literary exercises. The extracts illustrate the variety of ways in which east Europeans have written about Europe, and their place in relation to it."--Publisher's description.
The book chronicles the evolution of the church's political power throughout Poland's unique history. Beginning in the tenth century, the study first details how Catholicism overcame early challenges in Poland, from converting the early polytheists to pushing back the Protestant Reformation half a millennium later. It continues into the dawn of the modern age—including the division of Poland between Prussia, Russia, and Austria between 1772 and 1795, the interwar years, the National Socialist occupation of World War Two, and the communist and post-war communist eras—during which The Church only half-correctly presented itself as a steadfast protector of Poles, with clergy members who either stood up to foreign authorities or collaborated with those same Nazi and Communist leaders. This study ends with a consideration of how the Church has taken advantage of the fall of communism to push its own social agenda, at times against the wishes of most Poles.
This book examines Joseph Stalin’s increasing popularity in the post-Soviet space, and analyzes how his image, and the nostalgia it evokes, is manipulated and exploited for political gain. The author argues that, in addition to the evil dictator and the Georgian comrade, there is a third portrayal of Stalin—the one projected by the generation that saw the tail end of the USSR, the post-Soviet millennials. This book is not a biography of one of the most controversial historical figures of the past century. Rather, through a combination of sociopolitical commentary and autobiographical elements that are uncommon in monographs of this kind, the attempt is to explore how Joseph Stalin’s complex legacies and the conflicting cult of his irreconcilable tripartite of personalities still loom over the region as a whole, including Russia and, perhaps to an even deeper extent, Koba’s native land—now the independent Republic of Georgia, caught between its unreconciled Soviet past and the potential future within the European Union.