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Schelling's Practice of the Wild
The last two decades have seen a renaissance and reappraisal of Schelling's remarkable body of philosophical work, moving beyond explications and historical study to begin thinking with and through Schelling, exploring and developing the fundamental issues at stake in his thought and their contemporary relevance. In this book, Jason M. Wirth seeks to engage Schelling's work concerning the philosophical problem of the relationship of time and the imagination, calling this relationship Schelling's practice of the wild. Focusing on the questions of nature, art, philosophical religion (mythology and revelation), and history, Wirth argues that at the heart of Schelling's work is a radical philosophical and religious ecology. He develops this theme not only through close readings of Schelling's texts, but also by bringing them into dialogue with thinkers as diverse as Deleuze, Nietzsche, Melville, Musil, and many others. The book also features the first appearance in English translation of Schelling's famous letter to Eschenmayer regarding the Freedom essay.
Schelling Now
Previously considered a way-station on the road to Hegel, F.W.J. von Schelling is today enjoying a renaissance among Continental philosophers and others. These 14 essays bring Schelling in tune with such luminaries as Heidegger, Derrida, Bataille, Foucault, Deleuze, Levinas, and Irigaray and situate him squarely in the centre of current themes.
New Philosophies of Film
A concise but comprehensive student guide to studying Emily Bronte's classic novel Wuthering Heights. It covers adaptations such as film and TV versions of the novel and student-friendly features include discussion points and a comprehensive guide to further reading.
The Barbarian Principle
Toward the end of his life, Maurice Merleau-Ponty made a striking retrieval of F. W. J. Schelling's philosophy of nature. The Barbarian Principle explores the relationship between these two thinkers on this topic, opening up a dialogue with contemporary philosophical and ecological significance that will be of special interest to philosophers working in phenomenology and German idealism.
Zen No Sho
Fukushima Roshi is head abbot of Tofuku-ji Monastery, one of the great five mountain monasteries (gozan) of Kyoto, Japan, and one of the great centres of the Rinzai Zen tradition. Fukushima's calligraphy is not merely didactic, a gilded vessel to make Zen doctrines more palatable. They are technically masterful, reflecting Fukushima's training in the calligraphic arts from an early age as well as his apprenticeship with Okada Roshi and his kaisho or "block" script, and Shibayama Roshi and his exquisite gyosho script. But like the beneficent force of Shibayama's calligraphy, from which he learned much, Fukushima's calligraphy is a quiet storm, a serene volcano, a compassionate and gentle erup...
Adventures in Phenomenology
Repositions Bachelard as a critical and integral part of contemporary continental philosophy. Like Schelling before him and Deleuze and Guattari after him, Gaston Bachelard made major philosophical contributions to the advancement of science and the arts. In addition to being a mathematician and epistemologist whose influential work in the philosophy of science is still being absorbed, Bachelard was also one of the most innovative thinkers on poetic creativity and its ethical implications. His approaches to literature and the arts by way of elemental reverie awakened long-buried modes of thinking that have inspired literary critics, depth psychologists, poets, and artists alike. BachelardÂ’s...
The Tragic Absolute
Exposes the core of tragic absolutes in German Romantic and Idealist philosophy.
Freedom and Nature in Schelling's Philosophy of Art
Schelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show how subjectivity and objectivity emerge from a common source in nature. The philosophy of art plays a dual role in the system. First, Schelling argues that artistic activity produces through the artwork a sensible realization of the ideas of philosophy. Second, he argues that artistic production creates the possibility of a new mythology that can overcome the socio-political divisions that structure the relationships between individuals and society. Shaw's careful analysis shows how art, for Schelling, is the highest expression of human freedom.
