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Roving vigilantes, fear-mongering politicians, hysterical pundits, and the looming shadow of a seven hundred-mile-long fence: the US–Mexican border is one of the most complex and dynamic areas on the planet today. Hyperborder provides the most nuanced portrait yet of this dynamic region. Author Fernando Romero presents a multidisciplinary perspective informed by interviews with numerous academics, researchers, and organizations. Provocatively designed in the style of other kinetic large-scale studies like Rem Koolhaas's Content and Bruce Mau’s Massive Change, Hyperborder is an exhaustively researched report from the front lines of the border debate.
The 2021 Inter-American Yearbook on Human Rights provides an extract of the principal jurisprudence of the Inter-American Commission on Human Rights and the Inter-American Court of Human Rights. Part One contains the Decisions on the Merits of the Commission, and Part Two the Judgments and Decisions of the Court. The Yearbook is partly published as an English-Spanish bilingual edition. Some parts are in English or Spanish only. NB: This book is part of a four volume set. Vol. 1 ISBN: 978-90-04-51185-9 Vol. 2 ISBN: 978-90-04-51187-3 Vol. 3 ISBN: 978-90-04-53773-6 Vol. 4 ISBN: 978-90-04-53775-0
This book offers the first systematic account in English of the Spanish mass press coverage of ‘jihadist terrorist’ attacks in contemporary Spain. Drawing upon a critical analysis of the ‘Spanish Transition to Democracy’ (1975–82) and ‘War on Terror’ narratives, it examines the ideology underlying the metaphors used in the Spanish mainstream press coverage of the terrorist attacks in Madrid (2004) and Barcelona (2017). The book shows how these metaphors were systematically deployed for propagandistic purposes that sought to ‘manufacture the consent’ of the Spanish population while obstructing public deliberation apropos the attacks, strengthening Spanish ‘democracy’ by defining it in opposition to ‘jihadist terrorism.’ This book will be of interest to students of Critical Terrorism Studies, Spanish Politics, Media Studies, and Security Studies. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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La obra El fiscal y el juez: Benjamin Ferencz y Antonio Cassese de Heikelina Verrijn Stuart y Marlise Simons es un acto de reivindicación del compromiso cívico por la palabra y el discurso inteligente de dos juristas que explican su compromiso con el ideal de justicia. /Benjamin B. Ferencz y Antonio Cassese nos enseñan que al final del túnel del horror de crímenes terribles, se atisba la luz de la norma jurídica que alumbrará el espacio de la justicia. Pero al también que no vale cualquier norma, solo la norma que descansa en los valores universales de la igualdad de las personas, la libertad, la dignidad y el respeto a la vida humana. A través de la experiencia а de estos extraordinarios humanistas, la palabra justicia adquiere una especial dimensión, que la engrandece y que no deberíamos olvidar, vinculada a la memoria. Y tanto Benjamin B. Ferencz como Antonio Cassese confían en la capacidad del hombre en crear y no en destruir. Y por ello creen en el papel civilizador del Derecho, en el efecto disuasorio que supone visibilizar, a través del juicio, el sufrimiento y el horror para que no se repitan
This publication accompanies an exhibition of approximately 120 works of art and science loaned mostly from the Royal Collection of Spain (Patrimonio Nacional) to the Seattle Art Museum. Featuring the work of such artists as Bosch, Titian, El Greco, Bernini, Vel¾zquez, Murillo, Zubar¾n, and Goya, this publication includesøpaintings, sculpture, tapestries, scientific instruments, maps, armor, books, and documents. Eight essays provide historical context and artistic explication. Chronologically organized, the book charts the evolution of Spanish attitudes toward knowledge, exploration, and faith during three dynasties of Spain?s golden age, when the fervor for scientific and geographical knowledge coexisted with the expansion of empire and promotion of Christianity. The four themes of the exhibition are: The Image of Empire; Spirituality and Worldliness; Encounters across Cultures; Science and the Court. Spain in the Age of Exploration, 1492?1819, presents art and science from one of the most ambitious, magnificent, and complex enterprises in history.