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Performances of Suffering in Latin American Migration
This book questions the reliance on melodrama and spectacle in social performances and cultural productions by and about migrants from Mexico and Central America to the United States. Focusing on archetypal characters with nineteenth-century roots that recur in the twentieth- and twenty-first centuries – heroic saviors, saintly mothers and struggling fathers, martyred children and rebellious youth – it shows how theater practitioners, filmmakers, visual artists, advocates, activists, journalists, and others who want to help migrants often create migrant melodramas, performances that depict their heroes as virtuous victims at the mercy of evil villains. In order to gain respect for the hu...
Drama
An engaging book spanning the fields of drama, literary criticism, genre, and performance studies, Drama: Between Poetry and Performance teaches students how to read drama by exploring the threshold between text and performance. Draws on examples from major playwrights including Shakespeare, Ibsen, Beckett, and Parks Explores the critical terms and controversies that animate the performance and study of drama, such as the status of language, the function of character and plot, and uses of writing Engages in a theoretical, disciplinary, and cultural repositioning of drama, by exploring and contesting its position at the threshold between text and performance
Theatre and Cartographies of Power
Contributors -- Index -- Series Page -- Other Titles in the Series -- Back Cover
Call to Allyship
How can churches do the work of becoming allies for the leaders they call? In belonging to a predominantly white denomination, ELCA members are called to listen and learn from its leaders of color to recognize the assumptions, biases, and harmful actions that result when congregations don't do the work to become allies. Authors offer wisdom, storytelling, and concrete suggestions for churches preparing to call a leader of color. Call to Allyship is a must-read for call committees, church councils, social justice teams, and anyone prepared to do the work of understanding, welcoming, and celebrating these leaders. Chapter 1 How to Read This Book by Rev. Angela T. !Khabeb Chapter 2 Intersectionality by Dr. Kelly Sherman-ConroyChapter 3 The Call Process by Bp. Patricia DavenportChapter 4 Embodied Ministry by Rev. Jenny SungChapter 5 Family Life by Rev. Priscilla Paris-AustinChapter 6 Compensation by Rev. Viviane Thomas-BreitfeldChapter 7 Nonrostered Leaders by Dr. Kelly Sherman-ConroyChapter 8 Allyship by Rev. Dr. Andrea WalkerChapter 9 Gifts of Leaders by Bp. Felix MalpicaChapter 10 What's Next by Rev. Angela T. !Khabeb
The Press of Mexico
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Performance, Identity, and Immigration Law
How has contemporary American theatre presented so-called undocumented immigrants? Placing theatre artists and their work within a context of on-going debate, Guterman shows how theatre fills an essential role in a critical conversation by exploring the powerful ways in which legal labels affect and change us.
Undocumented Immigrants in the United States [2 volumes]
This two-volume reference work addresses the dynamic lives of undocumented immigrants in the United States and establishes these individuals' experiences as a key part of our nation's demographic and sociological evolution. This two-volume work supplies accessible and comprehensive coverage of this complex subject by consolidating the insights of hundreds of scholars who have studied the issues of undocumented immigration in the United States for years. It provides a historical perspective that underscores the exponential growth of the undocumented population in the last three decades and presents a more nuanced, more detailed, and therefore more accurate portrait of undocumented immigrants than is available in general media. Also included are recommended resources that will serve researchers seeking more information on topics regarding undocumented immigrants.
Problems in Modern Mexican History
Mexicans, since national independence, have defined their challenges as problems or dimensions in their lives. They have faced these issues alone or with others through politics, security (the military, police, or even public health squads), religion, family, and popular groups. This unique reader collects documents—texts, visuals, videos, and sounds—from organizational reports, popular expressions, and ephemeral creations to express these concerns, reveal responses, and measure successes. They allow readers to consider and discuss how these documents enabled Mexicans to evaluate their history and culture from 1810 to the present. Offering a wide variety of materials that can be tailored to the needs of individual instructors, these rich sources will stimulate critical thinking and give students new insights and often surprising respect and understanding for the ways Mexicans have managed to find humor, even magic, in their lives.
American Theatre
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Victim Activists in Mexico
Victim Activists in Mexico: Social and Political Mobilization amid Extreme Violence and Disappearances examines the collective action of the courageous family members of the disappeared in the midst of Mexico’s ongoing humanitarian crisis over the last decades. Yael Siman and Matthew Hone analyze this grassroots mobilization and argue that the activists have created rutinary, contentious, and innovative types of resistance through building local and trans-local links of support and solidarity that reinforce their struggle. This mobilization from below has contributed to constructing transitional justice including laws, public apologies, and memorials. The combination of internal and external factors impacting the collectives and their environment has enabled significant changes in the institutions, state responses, and the victimhood narratives in the country. This book adds to the scholarship on the collective action of grieving families by focusing on both the social and political aspects of mobilization.
