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Fourth international conference on FRIEND, Cape Town, March 2002.
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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Negationism is an irrational but useful tool for manipulation. Almost nobody supports the Flat Earth model or the geocentrism, but some European educational laws still offer a confessional education that treats as real the myth about Adam and Eve. This book recounts the struggle that human mind has maintained, over two millennia, against creationist myths. The journey takes place between cosmogonies, theological dogmas, natural philosophy, Deism and the inevitable secularism of the Age of Enlightenment.
En la presente obra se hace un exhaustivo análisis doctrinario y jurisprudencial acerca de los desafíos de la prueba digital vinculada con aplicaciones de mensajería instantánea, redes sociales, computación en la nube, plataformas web para compartir videos, comunicaciones y documentos electrónicos y Blockchain, smart contracts. Con especial énfasis en la prueba pericial informática vinculada a los documentos electrónicos, firma digital, redes sociales y correo electrónico.
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Twitchell, considered the first major historian of New Mexico, showcased the states traditions, history, beauty, glamour, scenery, archaeology, and material resources in this 1911 edition.