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East-West Dialogue
This Open access book is a collection of interviews published by China News Service, a Beijing-based news agency, in its “West-East Talk” column. It has been divided into five sections: “Mutual Learning Among Civilizations,” “Hot Issues,” “About China,” “Sino-U.S. Relations” and “Cultural Collision”. The interviews are with more than 50 eminent scholars, scientists, politicians, authors, etc., from different parts of the world as well as China, who have an association with China and see the real China beyond the stereotypes. Besides current global issues, the book also covers Chinese culture, history as well as China-U.S. relations, described as one of the most important bilateral relationships in the world today. The book aims to build a platform for dialogue among different civilizations and appreciate the “harmony within diversity” of different cultures, especially of the East and West. We hope it will foster tolerance and rationality, dispelling the misconceptions about China in particular.
Who Owns Antiquity?
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nati...
Creation and Separation
Tang Taizong (Li Shimin), 2nd emperor of the Tang dynasty, commissioned six statues of his favorite warhorses to be carved in stone and serve as part of his political legacy at his mausoleum, Zhao Ling. This book traces the history and significance of these statues, from their creation in 7th-century China, through their removal from the mausoleum in the early 20th c., when two made their way to the United States antiquities market through the dealer C.T. Loo, and ultimately to the Penn Museum. Their time on the art market and subsequent stewardship by the Penn Museum are also explored. Contemporaneous sources and archival records reconstruct the roles of different people, Chinese and Westerners, in the sale of and competition for these stone horses. While underlining their exceptional significance and reconstructing the historical path they traversed, this work serves to bridge the gaps in the shared knowledge of the historical facts pertaining to these horse reliefs and build a common foundation for intercultural dialogue and cooperation surrounding cultural heritage preservation and changing museum practice.
The Divine Nature of Power
Built around three sacred springs, the Jin Shrines complex (Jinci), near Taiyuan in Shanxi province, contains a wealth of ancient art and architecture dating back to the Northern Song dynasty (960–1127). The complex’s 1,500-year-long textual record allows us to compare physical and written evidence to understand how the built environment was manipulated to communicate ideas about divinity, identity, and status. Jinci’s significance varied over time according to both its patrons’ needs and changes in the political and physical landscape. The impact of these changes can be read in the physical development of the site. Using an interdisciplinary approach drawing on the research of archa...
Ancient Central China
An up-to-date synthesis of archaeological discoveries in the upper and middle Yangzi River region of China, including the Three Gorges Dam reservoir zone.
Yoga
"Published by the Freer Gallery of Art and the Arthur M. Sackler Gallery on the occasion of the exhibition Yoga: The Art of Transformation, October 19, 2013 - January 26, 2014. Organized by the Arthur M. Sackler Gallery, the exhibition travels to the Asian Art Museum of San Francisco, February 22-May 18, 2014, and the Cleveland Museum of Art, June 22-September 7, 2014."
The Art of Music
"The Art of Music takes the relationship between two of the more prominent and oft-intersecting branches of artistic creation as its subject. The liaison between music and the visual arts has inspired countless generations of artists. The two have had manifold complex interactions across all periods of history, in Western and non-Western contexts alike, yet their intersection has only become a rich vein for research by art historians and musicologists in the last thirty years. By tracing these relationships, new insights into the affinities of the arts become clear"--
The Worlds of Classical Chinese Aesthetics
This book presents the foundations of classical Chinese aesthetic discourse - roughly from the Bronze Age to the early Middle Ages - with the following animating questions: What is art? Why do we produce it? How do we judge it? The arts that garnered the most theoretical attention during this time period were music, poetry, calligraphy, and painting, and this book considers the reasons why these four were privileged. Whereas modern artists most likely consider themselves musicians or poets or calligraphers or painters or sculptors or architects, the pre-modern authors who produced the literature that established Chinese aesthetics prided themselves on being wenren, “cultured people,” conversant with all forms of art and learning. Other comparisons with Western theories and works of art are presented at due junctures. Key Features Addresses Chinese aesthetic discourse on its own terms Provides comparisons of key concepts and theories with examples from Western sources Includes more coverage of primary sources than any other English-language book on the subject Each chapter opens with a helpful summary, highlighting the chapter’s key themes
Taoism and the Arts of China
A celebration of Taoist art traces the influence of philosophy on the visual arts in China.
