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The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization ...
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This book has 48 papers from renowned scholars and senior specialists on the art and culture of India. Most of the expert contributors enjoy special positions in their respective fields. The volume has six sections dealing with historyarchaeology art & architecture, religion, iconography, etc. A select list of Prof. Ganguli's writing is also included
Commemoration volume for Sarasi Kumar Saraswati, 1906-1980, Indian art historian; comprises contributed articles.
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The book includes well esearched essays in various fields of Indology contributed by eminent scholars, contributed by eminent scholars as a humble tributed by eminent scholars as a humble tribute to Prof. Ganguly.
A widely-accepted explanation for India’s national unity is a narrative called the bhakti movement—poet-saints singing bhakti from India’s southern tip to the Himalayas between 600 and 1600. John Hawley shows that this narrative, with its political overtones, was created by the early-twentieth-century circle around Rabindranath Tagore in Bengal.