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An intimate yet wide-sweeping story of a marine biologist working to save ocean ecosystems from climate change. With the world’s oceans ravaged by climate change, Émeraude, a young marine biologist, works to preserve aquatic ecosystems by recreating them for zoos. When her work earns her a spot aboard a research vessel with an extended mission in the Arctic, it is the inescapable draw of the ocean that will save her when the world she leaves behind is irrevocably changed. Stories of Émeraude’s ancestors — a young sailor abandoned at birth, a conjuror who mixes potions for her neighbours, a violent young man who hides in the woods to escape an even more violent war, and a talented young singer born to a mother who cannot speak — weave their way through her intimate reflections on a modest life, unknowingly shaped by those who came before. A RARE MACHINES BOOK
Of Vengeance portrays the evolution of an innocuous girl into a brilliant, cold-blooded killer, whose painstaking preparation makes every crime untraceable, and whose faultless reasoning makes her all too sympathetic.
After surviving a major accident, a man is trapped in a village buried in the snow and cut off from the world by a nationwide power failure. He is entrusted to Matthias, a taciturn old man who agrees to heal his wounds in exchange for wood, food, and eventual escape from the village. Will they manage to stand up against external threats and intimate pitfalls?
To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon. Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada. Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcour...
Fans of Scream and Miss Peregrine's Home for Peculiar Children will devour this "wholly chilling and unputdownable" horror debut (Kerri Maniscalco, New York Times bestselling author). Be careful what stories you tell around the campfire . . . they just might come true. While camping in a remote location, Maddie Davenport gathers around the fire with her friends and family to tell scary stories. Caleb, the handsome young guide, shares the local legend of the ferocious Mountain Men who hunt unsuspecting campers and leave their mark by carving grisly antlers into their victims' foreheads. The next day, the story comes true. Now Maddie and her family are lost in the deep woods -- with no way out -- being stalked by their worst nightmares. Because there were other, more horrifying stories told that night -- and Maddie's about to find out just how they end . . .
Sans blague ! Anthologie de l’humour des femmes propose un survol de l’humour des femmes au Québec et au Canada francophone. Regroupant quelque 90 écrivaines et humoristes, l’ouvrage comprend leur présentation, un extrait particulièrement significatif de leur œuvre, une sélection de leurs autres productions et des références complémentaires. On y retrouve un grand éventail de genres : extraits de romans, chansons, théâtres, émission de radios, sketchs de variétés. Le tout, organisé chronologiquement, permet de comprendre l’histoire de l’humour des femmes en montrant la fluctuation dans les stratégies humoristiques employées et les thèmes abordés. Par exemple, on...
Der Begriff ,Heimat' ist ebenso ein typisch deutscher wie das Genre 'Heimatroman', in der ländliche Regionen nostalgisch verklärt und als Idylle konstruiert werden. Wurde bereits im österreichischen Anti-Heimat-Roman der 1960er Jahre die traditionelle Gattung konterkariert, so lässt sich seit nunmehr zwei Jahrzehnten in der deutschsprachigen Gegenwartsliteratur eine neue Mode des regional situierten Erzählens beobachten. Die dort gebräuchlichen Modi der Inszenierung von Heimat sind weit ausdifferenziert und reichen von der Weiterschreibung des traditionellen Heimatromans bis zur kritischen Brechung. Trotz der terminologischen Leerstelle des ,Heimatromans' lässt sich eine vergleichbare...
“Harrowing, hopeful, and informed by Ramayan's own experiences as a runaway to Edmonton, Mud Lilies is a hymn to the power of one young woman's defiant spark of life, a story of grit and wisdom set against a backdrop of cruelty and indifference.” — Grace O’Connell, Open Book The night fourteen-year-old Chanie Nyrider ran away from her abusive parents, she was saved by an older woman who, after building a friendship with the teen, offers her a new life working as a prostitute. With nowhere to turn, Chanie is drawn into Edmonton’s dark underbelly, where she survives until arrested four years later. At this time she is given two options: jail or a high school equivalency program for troubled youth. Reluctantly, Chanie agrees to attend the program — but only so she can maintain her freedom and get to know her new love interest, Blue. As she begins to make strides in the program and meets friends who share similar circumstances, her home life, such as it is, deteriorates. Blue becomes unstable, deceitful, and eventually violent. He puts himself between her and her new friends, between her and the promise of a new and better life.
Billy-Ray Belcourt's collection of personal essays opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile Cree Nation. From there, it expands to encompass the big and broken world around him, in all its complexity and contradictions: a legacy of colonial violence and the joy that flourishes in spite of it, first loves and first loves lost, sexual exploration and intimacy, and the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.
Globalizing Educational Accountabilities analyzes the influence that international and national testing and accountability regimes have on educational policy reform efforts in schooling systems around the world. Tracing the evolution of those regimes, with an emphasis on the OECD’s PISA, it reveals the multiple effects of policy as numbers in countries with different types of government and different education systems. From the effect of Shanghai’s PISA success on nations trying to compete economically to the perverse effects of linking funding to performance targets in Australia, the analysis links testing and accountability to new modes of network governance, new spatialities, and the significance of data infrastructures. This highly illustrative text offers scholars and policy makers a critical policy sociology framework for doing education policy analysis today.