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Alighiero Boetti
None
Nobuyoshi Araki
"... Colorful, almost hyperrealistic floral still lifes ... confronted here with black-and-white photos from older, age-worn film material: images of the everyday, of urban life and of sexuality."--Dust-jacket.
Miriam Cahn
The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. WRITING IN RAGE is the first compilation of her writing by itself, and incl...
National Union Catalog
Includes entries for maps and atlases.
The Will to Climb
The bestselling author of The Mountain and No Shortcuts to the Top chronicles his three attempts to climb the world’s tenth-highest and statistically deadliest peak while exploring the dramatic and tragic history of others who have made—or attempted—the ascent. “Viesturs and Roberts have written an exhaustively researched and wonderfully compelling history of the most fascinating and dangerous of the Himalayan giants.”—David Breashers, veteran mountaineer and documentary filmmaker, director of IMAX film Everest As a high school student, Ed Viesturs read and was captivated by the French climber Maurice Herzog’s famous and grisly account of the first ascent of Annapurna in 1950. ...
A Room in the Museum of Modern Art in Frankfurt/Main
"Famous women - singers and models such as Madonna and Karen Mulder - and anonymous ""beauties"" pose in provocative outfits, semi-clad or naked in hotel room.¦Chambre Close & Pourquoi m'as-tu abandonnée ?"
The Museum as Muse
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
