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St. Anne in Renaissance Music
Michael Alan Anderson explores the political implications of music devoted to St Anne in the fifteenth and early sixteenth centuries.
The Dissemination of News and the Emergence of Contemporaneity in Early Modern Europe
Modern communications allow the instant dissemination of information and images, creating a sensation of virtual presence at events that occur far away. This sensation gives meaning to the notions of 'real time' and of a 'present' that is shared within and among societies”in other words, a sensation of contemporaneity. But how were time and space conceived before modernity? When did this begin to change in Europe? To help answer such questions, this volume looks at the exchange of information and the development of communications networks at the dawn of journalism, when widespread public and private networks first emerged for the transmission of political news. What happened in Prague quic...
The European Pentarchy and the Congress of Verona, 1822
For one reason or another. modem historians have neglected the Congress of Verona. some because they thought the field already had been thoroughly plowed. while others doubted that enough material could be found for more than an article or two on the subject. Indeed. not a single book-length monograph of this international assembly has ever been published in any language. This study. therefore. attempts to fill the gap by (1) explaining the genesis of the Congress. (2) furnishing a comprehensive account of its work. (3) revising some of the interpretations of Sir Charles K. Webster. Harold W. V. Tempedey. and others. and (4) analyzing the significance of the Congress. with emphasis on its contribution to the fall of the Quintuple Alliance. a consequence aided by the dissimilar and often contradictory interests of the allies themselves. This book is essentially a diplomatic history. but diplomats. of course. do not live in a vacuum. Numerous political. social. commercial. financial. and sometimes even religious factors. impinge upon their consciousness.
Imperfect Histories
Imperfect Histories puts "imperfection" at the heart of a theory of historical representation. Ann Rigney shows how historical writing involves dealing with intractable subjects that resist our efforts to know and to shape them. Those who write history, she says, engage in an ongoing struggle to match up what they find relevant in the past with the information and interpretive models at their disposal. Chronic dissatisfaction is at the heart of historical practice. This is especially evident in the various attempts made over the last two centuries to write an "alternative" history of everyday experience. Focusing on historical writing in the last decades of the eighteenth century and the first half of the nineteenth, Rigney analyzes a wide range of works by Walter Scott, Jules Michelet, Augustin Thierry, and Thomas Carlyle. She shows how the attempt to write an alternative history brought historical writing into a close yet fraught relationship with literature. The result is a new account of that relationship as it took shape in the romantic period and as it continues to influence contemporary practices.
