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'The book is like the spoon: once invented, it cannot be bettered' Umberto Eco These days it is impossible to get away from discussions of whether the book will survive the digital revolution. Blogs, tweets and newspaper articles on the subject appear daily, many of them repetitive, most of them admitting ignorance of the future. Amidst the twittering, the thoughts of Jean-Claude Carri�re and Umberto Eco come as a breath of fresh air. This thought-provoking book takes the form of a conversation in which Carri�re and Eco discuss everything from how to define the first book to what is happening to knowledge now that infinite amounts of information are available at the click of a mouse. En ...
English version of Carriere's popular French play L'Aide Memoire. Jean-Jacques leaves his door ajar-and a total stranger slips into his life. The encounter changes his life forever.
A unique dramatization of India's greatest epic poem, fifteen times longer than the Bible, The Mahabharata has played to enthralled audiences throughout Europe, the Far East and America. Regarded as the culmination of Peter Brook's extraordinary research into the possibilities of theatre, the production has been hailed as the 'theatrical event of this century' (Sunday Times). British audiences encountered The Mahabharata, on stage and television, in the late eighties. This volume contains the complete script of Carriere's adaptation in Peter Brook's translation, with introductions by each of them.
THE STORY: Imagine a time when the Catholic Church had the right to determine whether or not you were human. In a sixteenth-century Spanish monastery, the fate of millions of American natives from an ocean away hangs precariously in the balance. TH
How has the Western world responded in the past to repeated claims that the end of the world is nigh? How do different religions understand what is ment by the end of the world? What have science and philosophy got to say about the end of time? Why do people suffer? What is hell? Is time cyclical or linear? These are just a few of the questions tackled by Umberto Eco, Stephen Jay Gould, Jean Carriere and Jean-Paul Delumeau in a series of conversations. Mixing the religious with the profane and the deeply profound with the humorous, the book explores anything and everything from the concept of time as embedded in language to the reasons why war become an industrialized phenomenon in the 20th century.
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Looks at how Hollywood is changing to meet economic and creative challenges. This title probes the working methods of a diverse range of screenwriters to explore how they come up with their ideas, how they go about adapting a stage play or work of fiction, and whether their variegated life experiences contribute to the success of their writing.
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'Where can one find the Mahabharata? The facile answer is "India."' A chance comment in 1974 fired Peter Brook and Jean-Claude Carrière with the idea of producing a play based on the epic. Together they travelled across India, searching for all possible theatrical forms of the great poem. The result was an epic play--9 hours with two intermissions--later made into a film and a TV series, which has become a landmark in theatre. Another result was this delightful book made from the notes that Carriere jotted down during his travels, whose charm is enhanced by his piquant illustrations that run through the pages. The 'sacred frenzy' of Theyyam in a Kerala village and the intricacies of Kathakali are interwoven with their encounters with the aged Shankaracharya of Kanchipuram, a 'one-in-three saint', and the legendary Satyajit Ray in Kolkata. Here they also meet Professor P. Lal, who has been working for twenty years on translating the Mahabhararta into English. It is vignettes like these that make their search for the epic into a journey that shows India, through Carrière's words and sketches, in a way it has never been seen before.
The story of a painting of the Supreme Being, ordered by Robespierre from the famous painter, David - a painting that was never made. It's also the story of another painting, that of the young Bara, a 13-year-old martyr of the Republic. From the inauguration of the Louvre - a former royal palace - as the museum for the people, to the death of Robespierre, The Sky Over the Louvre tells the eerie and disturbing tale of an artist coming up against Robespierre during the French Revolution.