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A View from the Balcony--Opera through Womanist Eyes
In this theological work, readers are seated in a metaphorical balcony as a counter melody is composed within America’s operatic tradition. By using imaginary opera glasses, readers are invited to critically view American society and history. The most popular folk songs of white Southerners, Western settlers, and Northern elites were composed from chords of colonialism, white supremacy, patriarchy, hegemony, and xenophobia—forms of anthropological poverty. These songs were, and remain, the most discordant melodies heard by indigenous and enslaved persons in America. Indicting the “church” for its complicity in these oppressions, this work offers the reader a historical glimpse at the...
A View from the Balcony
Using opera glasses as a captivating metaphor the anamnestic approach of this theological and cultural research uses a Womanist's "Balcony View" to examine American history. I argue opera to be a reflective experience through which an America entrenched in racism and xenophobia might be examined and critiqued. As such, this artistic genre becomes a useful tool of resistance and creates countercultural, corrective narratives about Black bodies, black culture, and the creative genius of African American opera performers. The intersectionality of Womanist Theology, Womanist and Black Feminist Anthropology, and Black Performance Theory lays the methodological framework through which the theory o...
A View from the Balcony--Opera through Womanist Eyes
In this theological work, readers are seated in a metaphorical balcony as a counter melody is composed within America’s operatic tradition. By using imaginary opera glasses, readers are invited to critically view American society and history. The most popular folk songs of white Southerners, Western settlers, and Northern elites were composed from chords of colonialism, white supremacy, patriarchy, hegemony, and xenophobia—forms of anthropological poverty. These songs were, and remain, the most discordant melodies heard by indigenous and enslaved persons in America. Indicting the “church” for its complicity in these oppressions, this work offers the reader a historical glimpse at the...
Broadway Yearbook
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The Complete Book of 2000s Broadway Musicals
In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy fo...
The Best Plays of 1999-2000
Besides containing abridged excerpts from the most important plays and musicals, the Theater yearbook also gives information about the New York season, on and off Broadway, about the season throughout the U.S., and gives facts and figures about the American theater.
Broadway Yearbook, 1999-2000
This irreverent guide to the theatrical season presents a comprehensive discussion of forty-six shows-including Broadway and non-Broadway productions-and features not only dates and names but also the stories behind the statistics. Suskin has provided a unique and detailed record of the season's memorable moments, high points, and low points. Written from an insider's perspective, the book is knowledgeable, intriguing, provocative, and, above all, entertaining.
Beyond the Frontier
This anthology begins with the memory of landscapes and landmarks, presenting poems in the For My People tradition of Margaret Walker. It includes a section titled "Blood and Disappointment in the Land," which documents ongoing social struggles. Other poems focus on the love that is essential for survival, rebirth, and dreams. More than 100 prominent African American poets contribute, including the distinguished and award-winning poets Toi Derricotte, Sam Cornish, Jabari Asim, and Pinkie Gordon Lane.
