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Informed by the work of the contemporary thinker Jacques Rancière, Egalitarian Strangeness explores a range of texts by modern and contemporary French writers in which embedded social inequality and the often conflictual relations across class boundaries feature. Yet the texts also throw up forms of cohabitation and levelling which contest such inequality.
Picked on by younger boys, Duffy Moon becomes a student of cosmic awareness and develops talents and powers beyond those he expected.
Providing a structured vocabulary for all levels of undergraduate French courses, this text offers coverage of concrete and abstract vocabulary relating to the physical, cultural, social, commercial and political environment, as well as exposure to commonly encountered technical terminology.
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In an analysis of legislative responses to surrogacy in New York and California, the author explores how discourses about gender, family, race, genetics, rights, and choice have shaped policies aimed at this issue. She examines the views of legislators, women's organizations, religious groups, the media, and others.
Beautiful War explores the interdependent political, linguistic, and erotic registers of lesbian feminism in Monique Wittig's novels, querying in particular how they function collectively to destabilize male hegemony and heterosexism. Beginning with the assertion that Wittig expressly dismantles the Classical veneration of la belle femme in order to create an agent more capable of social change (la femme belliqueuse), the author traces the permutations of violence through her four novels, L'Opoponax, Les Guérillères, Le Corps Lesbien, and Virgile, Non and examines the relevance of brutality to Wittig's feminist agenda. Drawing on literary criticism, intellectual and political history, queer theory, and feminist theory in his readings of the primary texts, the author argues that Wittig's oeuvre constitutes a progressive textual actualization of paradigm shifts toward gender parity and a permanent banishment of the primacy of male and heterosexist political and sexual discourse.
This book is probably the first to explore a question that can crop up in everyday situations and that has a long history: in what tense should we refer to the dead? That question relates both to the recently deceased and also to those who died long ago, for example in antiquity. The book explores it through many kinds of texts, mainly in French but also in Latin, produced in sixteenth- and early seventeenth-century France, including by celebrated authors(Rabelais, Montaigne). Did tenses refer to the dead in ways that contributed to granting them differing degrees of presence (and absence)? Did tenses communicate something about posthumous presence (andabsence) that could not easily be communicated by other means? This is primarily a work of literary and cultural history, but it also draws on linguistics. It compares its early modern examples with modern French and English, asking whether changes in more recent beliefs in posthumous survival have led to different tense usage.
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This book introduces novels by the Nobel Prize for Literature author, Claude Simon, giving emphasis to peaks in his literary achievement.