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The Stage and Social Struggle in Early Modern England
A ground-breaking study of the social and cultural functions of the early modern theatre. Jean Howard looks at the effects of drama and the stage on early modern culture in an exciting and eminently readable work.
Marxist Shakespeares
Marxist Shakespeares uses the rich analytic resources of the Marxist tradition to look at Shakespeare's plays afresh. The book offers new insights into the historical conditions within which Shakespeare's representations of class and gender emerged, and into Shakespeare's role in the global culture industry stretching from Hollywood to the Globe Theatre. A vital resource for students of Shakespeare which includes Marx's own readings of Shakespeare, Derrida on Marx, and also Bourdieu, Bataillle, Negri and Alice Clark.
Engendering a Nation
Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England. Plays featured include: * King John * Henry VI, Part I * Henry VI, Part II * Henry, Part III * Richard III * Richard II * Henry V. It will be a must for students and scholars interested in the cultural and social implications of Shakespeare today.
The Stage and Social Struggle in Early Modern England
The Stage and Social Struggle in Early Modern England is a ground-breaking study of a controversial period of English literary, cultural, and political history. In language that is both lucid and theoretically sophisticated, Jean Howard examines the social and cultural facets of early modern theatre. She looks at the ways in which some theatrical practices were deemed deceptive and unreliable, while others were lent legitimacy by the powerful. An exciting and challenging work by one of the leading writers in the field, The Stage and Social Conflict in Early Modern England is important reading for anyone interested in the period.
Theater of a City
Arguing that the commercial stage depended on the unprecedented demographic growth and commercial vibrancy of London to fuel its own development, Jean E. Howard posits a particular synergy between the early modern stage and the city in which it flourished. In London comedy, place functions as the material arena in which social relations are regulated, urban problems negotiated, and city space rendered socially intelligible. Rather than simply describing London, the stage participated in interpreting it and giving it social meaning. Each chapter of this book focuses on a particular place within the city—the Royal Exchange, the Counters, London's whorehouses, and its academies of manners—a...
Shakespeare Reproduced
First published in 1987. The essays in Shakespeare Reproduced offer a political critique of Shakespeare's writings and the uses to which those writings are put Some of the essays focus on Shakespeare in his own time and consider how his plays can be seen to reproduce or subvert the cultural orthodoxies and the power relations of the late Renaissance. Others examine the forces which have produced an overtly political criticism of Shakespeare and of his use in culture. Contributors include: Jean E Howard and Marion O'Connor, Walter Cohen, Don E Wayne, Thomas Cartelli, Peter Erickson, Karen Newman, Thomas Moisan, Michael D Bristol, Thomas Sorge, Jonathan Goldberg, Robert Weimann, Margaret Ferguson.
Oral History Interview with Jean E. Howard
Jean Howard begins this five session interview by discussing her childhood on a farm in northern Maine. Howard recalls her early years as an avid reader, the innate feminism in her family, and her decision to attend Brown University as an undergraduate. Howard talks about her mentor at Brown, Barbara Lewalski, and her time as a Marshall Scholar in London. Howard explains how these years inspired her pursuit of an intellectual study of the theater, and how Lewalski inspired a trend of female mentorship in Howard's life. Howard discusses her experience as a graduate student at Yale University, her years working at Syracuse University, her fight for maternity leave at Syracuse, and how she beca...
The Norton Shakespeare
Upon publication in 1997, The Norton Shakespeare set a new standard for teaching editions of Shakespeare's complete works. Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the modern reader closer than before possible to Shakespeare's plays as they were first acted. Now, under Stephen Greenblatt's direction, the editors have considered afresh each introduction and all of the apparatus to make the Second Edition an even better teaching tool.
Consequences of the Axiom of Choice
This book, Consequences of the Axiom of Choice, is a comprehensive listing of statements that have been proved in the last 100 years using the axiom of choice. Each consequence, also referred to as a form of the axiom of choice, is assigned a number. Part I is a listing of the forms by number. In this part each form is given together with a listing of all statements known to be equivalent to it (equivalent in set theory without the axiom of choice). In Part II the forms are arranged by topic. In Part III we describe the models of set theory which are used to show non-implications between forms. Part IV, the notes section, contains definitions, summaries of important sub-areas and proofs that...
