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This is the third volume in a series of studies on the late Middle Ages, covering the period from around 1300 to 1550. Each volume aims to provide exhaustive and diverse treatments of one significant example of late medieval culture. Volume three explores transformation and translation.
Maciej Kazimierz Sarbiewski (1595-1640) was known in his lifetime as the Christian Horace. He was one of the most famous Neo-Latin poets of the Baroque, widely read, commented and translated throughout Europe. He was nominated Poet Laureate by Pope Urban VIII. Sarbiewski was also famous for his studies in rhetoric and critical works such as De perfecta poesi sive Vergilius et Homerus. His Latin poetry was read, translated and imitated also in England, especially from 1640 until the first half of the 19th century. The first edition of Sarbiewski's English translations, by George Hills, was published in 1646. From that time onwards, Sarbiewski was translated by a variety of poets ranging from ...
'L'Istoire de la Chastelaine du Vergier et de Tristan le Chevalier', composee en prose au XVeme siecle et conservee dans un unique manuscrit, est un remaniement anonyme de 'La Chastelaine de Vergi', ce court poeme du XIIIeme siecle au succes incontestable. Cette version en prose narre, tout comme son modele en vers, les amours malheureuses d'un couple d'amants. Cependant, si l'Istoire de la 'Chastelaine du Vergier et de Tristan le Chevalier' parait, de prime abord, suivre d'une facon presque fidele son modele, il faut admettre qu'il existe un certain nombre de variations passant d'une version a l'autre. En effet, la version en prose ajoute des developpements absents dans celle en vers, ampli...
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The first book in English to examine one of the most important and influential texts from a literary perspective.
This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualized the world. From the classical encyclopedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the “wonders of the world” is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and re...
Eustache Deschamps studied under the tutelage of Guillaume de Marchault, traveled in Syria, Palestine, and Egypt-where he was said to have been made a slave-and eventually become recognized as one of the great French medieval poets. He was the first writer to dissociate lyric poetry from its musical setting and his witty perceptions comment on nearly all aspects of daily life: from women's underwear to gluttonous diners, from praise of famous writers to scorn for the unscrupulous of all ranks, from the delights of youth to the horrors of war. This volume provides facing-page, dual-language translations of Deschamps engaging, amusing, and accessible poems, gleaning from the mountains of verse the poems, gleaning from the mountains of verse the most edifying and historically relevant. Copious notes, glossaries, and a full bibliography enhance this elegant translation.
Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought? In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of ...
The Mongol Archive in Late Medieval France is the first comprehensive study of contact between France and the Mongols in the late Middle Ages. As these realms expanded across Eurasia—the French through crusade and settlement, the Mongols through conquest—their encounters altered each other's understanding of the world and their place in it. The Mongol influence on French culture is visible in what Mark Cruse calls the Mongol archive—a wide range of materials including chronicles, crusade treatises, encyclopedias, manuscript illuminations, maps, romances, and travel accounts—revealing how the French court made sense of a people previously unknown to the European intellectual tradition...
This satirical poem, known popularly as the Miliade because of its thousand-verse length (in octosyllabic verse), was printed anonymously around 1636. The poem's endurance and plentiful and specific political references make it a lively commentary encompassing discontent with the increasingly centralized government before the outbreak of the civil wars, the Frondes (1648-53).