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This is the story of Cora, a wounded, ostracized Canada goose who, thanks to her new crow friend Louis, learns new winter survival skills in the far northern reaches of Ungava Bay. 'Flying with Wounded Wings' concerns itself with the rewards of unanticipated friendships which are able to surmount prejudice while rediscovering inner resourcefulness, courage and unconditional love. People who appreciate books like 'Animal Farm' and 'Watership Down' will love to add this novel, illustrated by the author, to their library. Foreword by Tippi Hedren. Peter Gullerud is a published graphic novelist ('Grootlore' published by Fantagraphics Books) and was a visual development artist for the Disney Studios ('Aladdin') and several Warner Bros. Features projects. He worked for Wildlife Educators where he had hands on interaction with the likes of Siberian tigers, California black bears and a variety of exotics from macaque monkeys to binturongs. He currently lives in Taft, CA.
This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances include demonstrations of technologies, experiments that look like theatre, theatre that looks like science, tourist representations and natural history film-making. Its key aim is to open debate on how scientific activity, both historical and contemporary, might be understood in the context of performance studies and the imaginative acts required to stage engaging performances. Scientific performances have become increasingly of interest to historians of science, literature and science scholars, and in the field of science studies. As yet, however, no work has sought to examine a range of scientific performances with the aim of interrogating and illuminating the kinds of critical and theoretical practices that might be employed to engage with them. With scientific performance likely to become ever more central to scholarly study in the next few years this volume offer a timely, and early, intervention in the existing debates, and aims, too, to be a touchstone for future work.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most reve...
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In Moving Environments: Affect, Emotion, Ecology, and Film, international scholars investigate how films portray human emotional relationships with the more-than-human world and how such films act upon their viewers’ emotions. Emotion and affect are the basic mechanisms that connect us to our environment, shape our knowledge, and motivate our actions. Contributors explore how film represents and shapes human emotion in relation to different environments and what role time, place, and genre play in these affective processes. Individual essays resituate well-researched environmental films such as An Inconvenient Truth and March of the Penguins by paying close attention to their emotionalizin...