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Jean Giono est né et mort à Manosque (1895-1970). Dans leur majeure partie, la vie et l'oeuvre de Jean Giono s'enracinent en Haute-Provence. Conteur exalté, chantre d'une nature et d'une paysannerie quasi mythologique, pacifiste entêté (Le Serpent d'étoiles, Triomphe de la vie), il est aussi l'auteur d'oeuvres plus « classiques » (Mort d'un personnage, Le Hussard sur le toit, Angelo) influencées par Balzac et Stendhal. Le Livre : La jeunesse provençale de Giono, entre une mère repasseuse et un père cordonnier, est forcément solaire, musicale, saturée de parfums, de portraits, de tableaux... Dans ces souvenirs parus en 1932, les simples deviennent des héros, les animaux voisinent avec les anges et la nature se gorge de mythes. Transcrite dans la langue du bonheur, voici la genèse d'un très grand écrivain.
Originally published to promote his French translation of Moby-Dick, Jean Giono's Melville: A Novel is an astonishing literary compound of fiction, biography, personal essay, and criticism. In the fall of 1849, Herman Melville traveled to London to deliver his novel White-Jacket to his publisher. On his return to America, Melville would write Moby-Dick. Melville: A Novel imagines what happened in between: the adventurous writer fleeing London for the country, wrestling with an angel, falling in love with an Irish nationalist, and, finally, meeting the angel’s challenge—to express man’s fate by writing the novel that would become his masterpiece. Eighty years after it appeared in Englis...
Long regarded as one of France's finest writers of the twentieth century, Jean Giono is best known for his ecological bestseller The Man Who Planted Trees, but this neglected classic, published in 1931, is his masterpiece. Set during the First World War, conscription comes to a rural Provençal community, and its young men leave for the trenches on the Western Front. Based on his experiences at the battle of Verdun, at which he was one of only eleven survivors from his company, Giono produced one of the most powerful and affecting accounts of war ever written. This unflinchingly realistic yet at times intensely poetic novel grimly contrasts the destruction of men, land and animals at the front with the disintegration of daily life and accepted morality back home in a remote community with its own savagery, lusts and yearnings. Giono ends his masterwork with a message of hope, reflecting his faith in the ability of the earth to renew itself, which readers of The Man Who Planted Trees will find familiar. Part of the new look Peter Owen Modern Classics range featuring a logo crafted by graphic design icon Alvin Lustig.
Blue Boy is a 1932 novel by the French writer Jean Giono. It tells the story of a family in Provence, with an ironer mother and a shoemaker father. The book is largely autobiographical and based on Giono's childhood, although it has many fictional anecdotes.
In An Italian Journey, Jean Giono describes his journey to the land of his father's people. A reluctant traveler (he rarely left Provence), Giono discovers a strange beauty not only in the palazzi and canals of Venice but also in wistful waiters, suspicious hairdressers, pugnacious men of God, recalcitrant coffeemakers, umbrellas, and field machinery. In Giono's world a stamp collectors' market can appear to verge on revolution and inept municipal musicians suddenly offer Mozartian joys.
The Solitude of Compassion, a collection of short stories never before available in English, won popular acclaim when it was originally published in France in 1932. It tells of small-town life in Provence, drawing on a whole village of fictional characters, often warm and decent, at times immoral and coarse. Giono writes of a friendship forged in a battlefield trench in the midst of World War I; an old man’s discovery of the song of the world; and, in the title story, the not-unrelated feelings of compassion and pity. In these twenty stories, Giono reveals his marvelous storytelling through his vivid images and lyrical prose, whether he is conveying the delicate scents of lavender and pine trees or the smells of damp earth and fresh blood.
A solitary man plants a forest over many years, rejuvenating a barren wasteland.
‘A book for children from 8 to 80. I love the humanity of this story and how one man’s efforts can change the future for so many. It’s a real message of hope.’ Michael Morpurgo Discover this beloved masterpiece of nature writing that is a hymn to creation and to the power of the individual to do their bit to change the world for the better. In 1910, while hiking through the wild lavender in a wind-swept, desolate valley in Provence, a man comes across a shepherd called Elzéard Bouffier. Staying with him, he watches Elzéard sorting and then planting hundreds of acorns as he walks through the wilderness. Ten years later, after surviving the First World War, he visits the shepherd again and sees the young forest he has created spreading slowly over the valley. Elzéard’s solitary, silent work continues and the narrator returns year after year to see the miracle he is gradually creating: a verdant, green landscape that is a testament to one man’s creative instinct. A beautiful story of hope, survival and selflessness, The Man Who Planted Trees resonates as strongly with readers today as when it was first published.
Since his death in October 1970, Jean Giono's reputation as a major French novelist has steadily increased. In order to treat most powerfully the essential nature of modern man confronted with the worst problems of the twentieth century, he adapted into prose the tried and true literary modes: the epic, the pastoral, Greek tragedy, Shakespearean tragedy, and autobiography. In Giono's work the old modes and familiar forms continue to fulfill the age-old functions of great literature: we see the Christian epic suddenly made relevant to everyday life or the pagan epic re-explain modern male savagery. In Giono's hands the novel explains man to himself, shows man more clearly the world about him,...