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The modern pilgrimage—to sites ranging from Graceland to the veterans’ annual ride to to the Vietnam Veterans Memorial to Jim Morrison’s Paris grave—is intertwined with man’s existential uncertainties in the face of a rapidly changing world. In a climate that reproduces the religious quest in seemingly secular places, it’s no longer clear exactly what the term pilgrimage infers—and Shrines and Pilgrimage in the Modern World critiques our notions of the secular and the sacred, while commenting on the modern media’s multiplication of images that renders the modern pilgrimage a quest without an object. Using new ethnographical and theoretical approaches, this volume offers a surprising new vision on the non-secularity of the “secular” pilgrimage. "This book will be sure to stoke our intellectual fire and heat up the discussion over the highly charged topic of secular pilgrimage.”—Simon Bronner, Penn State University
A cumulative index to biographical material in books and magazines.
We are used to distinguishing the despotic regimes of the 20th century - communism, fascism, National Socialism, Maoism - very precisely according to place and time, origins and influences. But what should we call that which they have in common? On this question, there has been and is still a passionate debate. This book documents the first international conference on this theme, a conference that took place in September of 1994 at the University of Munich. The book shows how new models for understanding political history arose from the experience of modern despotic regimes. Here, the most important concepts - totalitarianism and political religions - are discussed and tested in terms of their usefulness.
An examination of the unique, hybrid media practices generated by Eastern Europe's accelerated transition from late communism to late capitalism. Eastern Europe's historically unprecedented and accelerated transition from late communism to late capitalism, coupled with media globalization, set in motion a scramble for cultural identity and a struggle over access to and control over media technologies. In Identity Games, Anikó Imre examines the corporate transformation of the postcommunist media landscape in Eastern Europe. Avoiding both uncritical techno-euphoria and nostalgic projections of a simpler, better media world under communism, Imre argues that the demise of Soviet-style regimes a...
The multiple contributions of Hungarian society in the fields of art, science, technology and sports are highlighted here.
What happens to a community of oppositional artists when the purpose and meaning of their opposition are undermined by social transformation? Such was the dilemma facing many underground artists in Eastern Europe following the collapse of state socialism. In Up from the Underground, Anna Szemere looks at the underground based on rock music in Hungary, showing how it anticipated, precipitated, and responded to a period of fundamental change. Szemere's work focuses on a community of rock musicians that became popular with Hungary's urban youth culture in the early 1980s--groups with names such as the Committee, Control Group, and the Galloping Coroners. Szemere reveals the activities, discours...
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