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The culture of insurgents in early modern Europe was primarily an oral one; memories of social conflicts in the communities affected were passed on through oral forms such as songs and legends. This popular history continued to influence political choices and actions through and after the early modern period. The chapters in this book examine numerous examples from across Europe of how memories of revolt were perpetuated in oral cultures, and they analyse how traditions were used. From the German Peasants’ War of 1525 to the counter-revolutionary guerrillas of the 1790s, oral traditions can offer radically different interpretations of familiar events. This is a ‘history from below’, and a history from song, which challenges existing historiographies of early modern revolts.
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El presente catálogo describe en detalle el contenido del fondo de música de la Catedral de Santiago de Chile, que preserva más de 1700 partituras manuscritas e impresas de 1770 a 1940, aproximadamente. Se trata de la colección musical más antigua del país y el repertorio que contiene pertenece tanto a compositores que trabajaron en la propia catedral –entre ellos, el catalán José de Campderrós y el peruano José Bernardo Alzedo— como a otros que nunca visitaron Chile. Entre estos últimos, destacan los españoles José de Nebra, Antonio Ripa e Hilarión Eslava, así como figuras que hoy forman parte del canon de la música clásica, como Joseph Haydn y Wolfgang Amadeus Mozart. ...
Ce dictionnaire fournit des notices non seulement sur les collecteurs ayant recueilli des ensembles importants de chansons folkloriques - y compris les correspondants d'enquêtes ou de revues spécialisées -, mais aussi la biographie sur des simples éditeurs de chansons recueillies par d'autres.