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Jean-Honoré Fragonard
A study of the works of Jean-Honore Fragonard (1732-1806). The author reveals the extent to which Fragonard's paintings were informed by such diverse artists as Rembrandt and Ruisdael, Pietro da Cortona and Solimena, Rubens and Jordaens. The text offers an account of the artist's life and work.
Delphi Complete Works of Jean-Honoré Fragonard (Illustrated)
The leading exponent of the Rococo style, Jean-Honoré Fragonard’s paintings are characterised by remarkable facility, exuberance and frivolous hedonism. Regarded as one of the greatest colourists of art history, Fragonard produced stunning artworks that capture the spirit of the final days of the Ancien Régime, conveying intimacy and veiled eroticism. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Fragonard’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1)...
Jean Honore Fragonard: 117 Paintings
Jean-Honoré Fragonard was a French painter, one of the most prolific artists active in the last decades of the Ancien Régime. Among his most popular works are genre paintings conveying an atmosphere of intimacy. Fragonard has been ranged with Watteau as one of the two great poetic painters of the 18th century in France. A prodigiously active artist, he produced more than 550 paintings, several thousand drawings, and 35 etchings. His style, based primarily on that of Rubens, was rapid, vigorous, and fluent, never tight or fussy like that of so many of his contemporaries. Although the greater part of his active life was passed during the Neoclassical period, he continued to paint in a Rococo expression until shortly before the French Revolution. Only five paintings by Fragonard are dated, but the chronology of the rest can be fairly accurately established from other sources such as engravings and documents. He died in 1806, almost completely forgotten.
Fragonard
A painter and printmaker of the Rococo movement, Jean- Honoré Fragonard (1732-1806) is recognised as one of France’s most prolific artists. His genius however almost went forgotten after the Revolution due to the expanding influence of neo-classicism and the loss of his bourgeoisie clientele. He studied under the great Boucher and painted over 550 works in various genres including landscapes and portraits illustrating the erotic, the domestic and an abundance of religious scenery. His smooth brushstrokes never faltered in depicting the charm and wit of 18th century France. Fragonard’s talent lies in bringing his creations to life in a refined and decadent manner with Goncourt describing him as “the poet of the Ars Amatoria of the age”.
Jean Honore Fragonard: 117 Paintings in Colour
Jean-Honoré Fragonard was a French painter, one of the most prolific artists active in the last decades of the Ancien Régime. Among his most popular works are genre paintings conveying an atmosphere of intimacy. Fragonard has been ranged with Watteau as one of the two great poetic painters of the 18th century in France. A prodigiously active artist, he produced more than 550 paintings, several thousand drawings, and 35 etchings. His style, based primarily on that of Rubens, was rapid, vigorous, and fluent, never tight or fussy like that of so many of his contemporaries. Although the greater part of his active life was passed during the Neoclassical period, he continued to paint in a Rococo expression until shortly before the French Revolution. Only five paintings by Fragonard are dated, but the chronology of the rest can be fairly accurately established from other sources such as engravings and documents. He died in 1806, almost completely forgotten.
Jean-Honoré Fragonard
Biography and analysis of one of France's best-known Roccoco painters whose use of color and subject elevate his works above the frivolous works of his contemporaries. Author is an alumnus of Evanston Township High School, class of 1938.
Jean-Honoré Fragonard: Young Girl Reading (Foiled Journal)
Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Jean-Honoré Fragonard's 'Young Girl Reading'. Jean-Honoré Fragonard was a French artist, known for his prolific work and in particular the painting Jeroboam Sacrificing to the Golden Calf (1752), which led him to become prominent within the Rococo movement. His work was often playful, erotic or celebrated domesticity. In this painting, Fragonard has spent a long time perfecting the detail in the girl's focused expression and uses looser brush strokes for her dress.
Fragonard and the Fantasy Figure
A fresh interpretation of the group of Fragonard?s paintings known as the ?figures de fantaisie?, Fragonard and the Fantasy Figure: Painting the Imagination reconnects the fantasy figures with neglected visual traditions in European art and firmly situates them within the cultural and aesthetic contexts of eighteenth-century France. Prior scholarship has focused on the paintings? connections with portraiture, whereas this study relocates them within a tradition of fantasy figures, where resemblance was ignored or downplayed. The book defines Fragonard as a painter of the imagination and foregrounds the imaginary at a time when Enlightenment rationalism and Classical aesthetics contrived to d...
Fragonard
One of the most forward-looking artists of the eighteenth century, Jean Honoré Fragonard (1732–1806) was a virtuoso draftsman whose works on paper count among the great achievements of his time. This book showcases Fragonard's mastery and experimentation in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. With essays that focus on the role of drawing in his creative process and provide a modern reevaluation of his graphic work, the book offers fresh perspectives on this innovative and independent artist, who began his career in the Rococo era but lived through and adapted to changing times in France, and who chose to leave the mor...
