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Public Space and Democracy
Moving from classical Greece to the present, Public Space and Democracy provides both historical accounts and a comparative analytical framework for understanding public space both as a place and as a product of various media, from speech to the Internet. These essays make a powerful case for thinking of modern technological developments not as the end of public space, but as an opportunity for reframing the idea of the public and of the public space as the locus of power.
Beholden
Winner of the 2016 Grawemeyer Award in Religion Global health efforts today are usually shaped by two very different ideological approaches: a human rights-based approach to health and equity-often associated with public health, medicine, or economic development activities; or a religious or humanitarian "aid" approach motivated by personal beliefs about charity, philanthropy, missional dynamics, and humanitarian "mercy." The underlying differences between these two approaches can create tensions and even outright hostility that undermines the best intentions of those involved. In Beholden: Religion, Global Health, and Human Rights, Susan R. Holman--a scholar in both religion and the history...
Composing the Citizen
In a book that challenges modernist ideas about the value and role of music in Western society, Composing the Citizen demonstrates how music can help forge a nation. Deftly exploring the history of Third Republic France, Jann Pasler shows how French people from all classes and political persuasions looked to music to revitalize the country after the turbulent crises of 1871. Embraced not as a luxury but for its "public utility," music became an object of public policy as integral to modern life as power and water, a way to teach critical judgment and inspire national pride. It helped people to forget the past, voice conflicting aspirations, and imagine a shared future. Based on a dazzling su...
Dramaturgy of the Spectator
The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon.
On the Margins
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Deparochializing Political Theory for the Global Age
Leading political theorists demonstrate the transformative potential of de-centering Western traditions in the field of political theory.
Secularism and Africa
Secular assumptions underlie much formal communication between the West and Africa, and even intra-Africa. Secularism is dualistic by nature, but thinking in Africa is mostly monistic. This book suggests that it is better to be rooted in faith in Christ than in so-called secularism. The great respect given to the Bible in much of Africa verifies this idea. Communication of and through Christ is a bridge that can enable indigenous sustainable development. The same gospel is the bridge over which the West itself passes. Maintaining supposedly secular presuppositions may be denying sub-Saharan African people the means for self-initiated sustainable progress. This books draws on anthropology, linguistics, and theology, as well as the author's experience of living in Africa. Harries shares an autobiographical account of personal long-term grassroots ministry, and proposes a revision of widely held understandings of linguistics pertaining especially to the relationship between the West and Africa. He also looks at Bible teaching ministry in light of contemporary African contexts.
Henry Green at the Limits of Modernism
Although Henry Green has been recognised by James Wood, David Lodge and John Updike as one of the most innovative writers of his time, his significant achievement remains largely neglected. Henry Green at the Limits of Modernism provides a theoretically sophisticated and historically nuanced reading of Green's novels and makes the case for Green's importance in reconsiderations of modernism, late modernism and post-war realism. This work is the most ambitious reassessment of Green's oeuvre to date and thus critical reading for scholars interested in modernism, late modernism, and the evolution of British post-war fiction. Arguing against the predominant view of Green's fiction as an autonomo...
Kafka and the Universal
Kafka’s work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka’s writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the...
