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The Chinese Typewriter
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and...
The Saracens
None
How Asia Found Herself
A pioneering history of cross-cultural knowledge that exposes enduring fractures in unity across the world's largest continent "Mr. Green has written a book of rigorous--and refreshing--honesty."--Tunku Varadarajan, Wall Street Journal A Foreign Affairs Best Book of 2023 The nineteenth century saw European empires build vast transport networks to maximize their profits from trade, and it saw Christian missionaries spread printing across Asia to bring Bibles to the colonized. The unintended consequence was an Asian communications revolution: the maritime public sphere expanded from Istanbul to Yokohama. From all corners of the continent, curious individuals confronted the challenges of studyi...
Christian-Muslim Relations. A Bibliographical History Volume 21. South-western Europe (1800-1914)
Christian-Muslim Relations, a Bibliographical History 21 (CMR 21), covering South-western Europe in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and established scholars, CMR 21, along with the other volumes in this ...
Essays
DIV A treasure trove of Thoreau’s most noteworthy essays, with plentiful annotations by leading Thoreau scholar Jeffrey S. Cramer /div
The Typographic Medium
An innovative examination of typography as a medium of communication rather than part of print or digital media. Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of "print media" or "digital media" but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium. After considering what const...
China in European Encyclopaedias, 1700-1850
This book shows how knowledge about China became part of European general knowledge. It examines English, French, and German encyclopaedias published between 1700 and 1850 and explores the use and presentation of information on China in works of general knowledge. The first chapters explore the origins of early European perceptions of China until 1850, the development of European encyclopaedias, and the sources used for entries on China. The second major part of the book examines the ways in which encyclopaedias presented information on things Chinese (geography, government, economy, history, language and literature, arts and sciences) and how this information was shaped, expanded, perpetuated, revised, and updated.
Pound/Cummings
Similarly, these letters should provoke a reevaluation of Cummings. Critics have treated Cummings's political views as either strictly private matters or merely incidental to his art. The letters, however, show that Cummings's radically conservative political opinions are wholly consistent with his poetics, and raise the question of the relation between Cummings's political principles and his enthusiasm for particular forms (and particular stars) of mass entertainment. In addition to their political revelations, the letters are steeped in the literary climate - and literary gossip - of the times. Pound comments often and candidly on Cummings's poetry and prose; both Pound and Cummings send light verse to each other. And the poets exchange anecdotes about such figures as Henry James, Wyndham Lewis, T. S. Eliot, Edmund Grosse, Max Eastman, and Aldous Huxley, among other writers.
