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The Rhetoric of Topics and Forms
The fourth volume of the collected papers of the ICLA congress “The Many Languages of Comparative Literature” includes articles that study thematic and formal elements of literary texts. Although the question of prioritizing either the level of content or that of form has often provoked controversies, most contributions here treat them as internally connected. While theoretical considerations inform many of the readings, the main interest of most articles can be described as rhetorical (in the widest sense) – given that the ancient discipline of rhetoric did not only include the study of rhetorical figures and tropes such as metaphor, irony, or satire, but also that of topoi, which wer...
Adolfo Bioy Casares
Best known as Jorge Luis Borges’s right-hand man, Adolfo Bioy Casares (1914−1999) was, in his own right, an inventive writer of considerable skill. His works, often dismissed summarily as fantastic fiction, are now ripe for reassessment. This volume looks at Bioy’s extensive oeuvre which offers many surprising reflections on the twentieth century’s cultural, social and political transformations, both in Argentina and farther afield. Topics covered include Bioy’s meditations on isolation and logic, and his enduring fascination with the impact of photography on all artistic representation.
Ingres Then, and Now
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by rea...
Figures of Radical Absence
What is there to see in invisible artworks, empty books, or blank screens? How do formal absences generate meaning? Constructing an argument by way of montage, this book is an annotated inventory of textual, visual, and conceptual figures of absence. Spanning different media, it reveals a creative tradition that uses absence not as a negative aesthetic category, but as a productive state of radical indeterminacy with its own politics and poetics. Although post-structuralism highlighted the importance of what is offstage, lost, forgotten, hidden or discarded, silent or silenced, the poetics and politics of absence (much like its ethics and aesthetics) have rarely been discussed across media a...
Photographic Travel Books
Since early in its history, photography has been used by a diversity of travellers, whose collected photographs have been compiled into albums. But Photographic Travel as a genre of art did not appear before the second half of the twentieth century, and had a singular fate and fortune in the US as well as in Europe. The initial objective of some itinerant photographers is to make a book; their shooting practice is conditioned by this objective, as well as their travel experience. Their books – designed as one coherent hole – refer to their wandering experience, even though their stories are never completely free from fiction. In these books, their travels are converged, and their subjectivity is revealed. It is therefore relevant to call such books made of photographies, and possibly words about the travel experience, Photographic Travel books (comparably to Travel books). Danièle Méaux has tackled the task of characterizing this genre.
Fiction & Diction
Litteraturens aspekter beskrevet ud fra forskellige indfaldsvinkler med udgangspunkt i bl. a. Roman Jakobson's definitioner
English Book Jean-Michel Jarre
A tape recorder. It is this device that served as the first electronic instrument to Jean-Michel Jarre: « My grandfather had given me a tape recorder and with my rock band, I recorded guitar solos that I was reversing, organ parts that I was slowing down. » Passionate about sound, the young Jarre applied to the Musical Research Group in 1968: 200 candidates present themselves for 4 places. Jean-Michel Jarre passes the exam and joins the GRM, which is then the best school in the world concerning electro-acoustic music. Trained by Pierre Henry and Pierre Schaeffer, Jean-Michel Jarre discovers an innovative approach to music at the time. Speaking of Pierre Henry, JMJ said: « He is the first,...
Ravishing Tradition
Though central to contemporary debates over identity, politics, and culture, the concept of tradition often remains unexamined. In a series of readings that transgress cultural and disciplinary boundaries, Daniel Cottom subjects this concept to close scrutiny. He calls into question conventional accounts of tradition, with their reliance on standard oppositions between dogma and reason, animality and humanity, community and society, religion and science, and modernity and its predecessors. Tradition, as Cottom envisions it, is a complex of cultural forces that moves, divides, and undoes those it touches; it ravishes, is ravished, and is centrally etched with acts of ravishment. Engaging writ...
