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Globalization and the Study of Education
The National Society for the Study of Education is an organization of education scholars, professional educators, and policymakers dedicated to the improvement of education research, policy, and practice. Founded in 1901 by a small group of distinguished educators including John Dewey, Nicholas Murray Butler, and Charles Hubbard Judd, NSSE is the oldest national educational research organization in the United States. The mission of the National Society for the Study of Education is to investigate enduring and contemporary problems, disseminate the findings of its investigations, and engage members of the education community in study and discourse around those findings for the improvement of ...
Libertine Strategies
Discusses the development of the French novel
Ethics and Justice. Éthique et justice
The main theme of volume 6 of Eco-ethica is "Ethics and Justice" which focuses on the idea of "justice" in a metaphysical, social, and personal sense. Justice is considered as a balance between opposite ambitions in interdependent persons, and as equity in legislation, but not as blind justice. Today it is valuable not only on the national, but also on the cosmopolitan level. Before it became personal justice, the idea of justice was considered metaphysical and social, both in European and Chinese culture. However, in modern times, it is often reduced to a moral duty without meta-ethical responsibility. The last section considers the importance of the philosophy of Paul Ricoeur (1913-2005) for clarifying the idea of justice. (Series: Eco-Ethica, Vol. 6) [Subject: Philosophy, Ethics]
Beginnings in French Literature
From the contents: R. Howard BLOCH: Eneas before the walls of Carthage: the beginnings of the city and romance in the suburbs. - Richard l. REGOSIN: Language and nation in 16th-Century France: the Arts poetiques. - Zahi ZALLOUA: Reading the Essais: Where does the critic begin? - Louise K. HOROWITZ: Honore d'Urfe: Bellwether beginnings. - Leonard HINDS: Paratext and framing narrative: techniques of skepticism in Le parasite mormon."
Aphra Behn’s 'Emperor of the Moon' and its French Source 'Arlequin, Empereur dans la lune'
Aphra Behn’s spectacular farce, Emperor of the Moon (1687), so engaged audiences that it was restaged well into the eighteenth century. Her play was largely adapted from Anne Mauduit de Fatouville’s Arlequin, Empereur dans la lune (1684), a commedia dell’arte production by the Comédie-Italienne troupe, a performance which also proved immensely popular with Parisian audiences. Within its witty and amusing three acts, Behn’s play explores a number of contemporary concerns — from commedia dell’arte, to gender and politics, to science and astronomy, including a plurality of worlds, for example — all culminating in the third act’s operatic spectacle. This volume offers a transcription of Behn’s 1687 play with extensive annotations, a critical discussion of Behn’s text, and the first English translation of Fatouville’s eight French and Italian scenes.
Franco-America in the Making
"A study of the manifestation and persistence of hybrid Franco-American literary, musical, culinary, and media cultures in North America, particularly New England and southern Louisiana"--
Philippe Quinault, Dramatist
Much work has been done in recent years on Quinault's librettos, but no major study of his spoken plays has appeared since the monumental thesis by Etienne Gros, published in 1926. Moreover, he has never been the subject of a monograph in English. There is a need to re-assess the influence of his life on his plays, and to re-evaluate Gros's findings in the light of eighty years' research into seventeenth-century French theatre in general. This book rejects the deterministic approach that sees his plays as apprentice pieces for the greater achievement that is his corpus of librettos, as well as the implicit comparative approach that pigeon-holes his work, in passing, by borrowing from the pit...
Historical Dictionary of French Theater
The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.
The French Emblem
Complète les deux ouvrages publiés dans la même collection, d'Alison Saunders, Stephen Rawles et Alison Adams. L'index des noms et des lieux enrichit la bibliographie des oeuvres secondaires consacrées aux emblèmes français et en facilite l'utilisation.
