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Along the shores of Long Islands Great South Bay, the Copiague area was a haven for Native Americans and, later, colonial settlers. Previously known as Huntington South, East Amityville, Great Neck, and Powells, the hamlet adopted the name Copiague in the 1890s. Pres. George Washingtons celebrated 1790 sojourn is one of the high points in Copiague history, as are the visits of famed wireless inventor Guglielmo Marconi in the early 1900s, when he came to review his namesake Marconiville community. In the 1920s, rural Copiague grew to include the beach communities of American Venice, Amity Harbor, and Hawkins Estates and set the stage for the monumental suburban expansion of the 1950s. Beginning in the early 20th century, Copiague also became the adopted home to immigrants from all around the world. Copiague has a rich tradition of community service institutionsits fire department, public schools, veterans organizations, and churches, including Bethel A.M.E. Church, celebrated as the oldest black church on Long Island.
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Lumumba as a symbol of decolonisation and as an icon in the arts It is no coincidence that a historical figure such as Patrice Emery Lumumba, independent Congo’s first prime minister, who was killed in 1961, has lived in the realm of the cultural imaginary and occupied an afterlife in the arts. After all, his project remained unfinished and his corpse unburied. The figure of Lumumba has been imagined through painting, photography, cinema, poetry, literature, theatre, music, sculpture, fashion, cartoons and stamps, and also through historiography and in public space. No art form has been able to escape and remain indifferent to Lumumba. Artists observe the memory and the unresolved sufferin...
Inspired by the life of Jemmy Button - a native of Tierra del Fuego who was brought to England in the mid-1800s to be 'educated' and 'civilised' by Captain Robert FitzRoy - this book illustrates Jemmy's bizarre encounters and his return back home. Collaborating across continents, without a common language, Valerio's precision and Jennifer's primitive style have resulted in a story unlike any other. AGES: 4-7 years AUTHOR: Alix Barzelay has an MFA from Sarah Lawrence and teaches children creative writing. This is her first children's book. Jennifer Uman is a self-taught painter and illustrator. Her works have been in the New York Times and in publications throughout the world. This is her first book. Valerio Vidali is an Italian illustrator. His work has received notable recognition in competitions and exhibitions around the world. SELLING POINTS: * Winner of the fourth CJ Picture Book Award (Korea) * Templar debut of art style, reminiscent of Michael Foreman's 'The General ' * Based on a true story, offering insight into 19th century culture and attitudes * Hardback met with warm reviews
Bulletin des lois, 2e partie. Ordonnances, 1e et 2e section