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'This lady excelled all others, as well in beauty and favour, as in wit and policy, and was of stomach more like a man than a woman' Holinshed's Chronicles, 1577 Hungry for power and angered by their king, the nobles of Henry VI's court plot and scheme against each other. As Henry wavers and the factions split, Queen Margaret is determined to hold on to power and protect the crown that will one day belong to her son. Using Shakespeare's orginal lines, alongside new text, Jeanie O'Hare retells the Wars of the Roses through the eyes of the Queen. A captivating exploration of an iconic moment in British history, the play premiered at the Royal Exchange, Manchester, in September 2018, directed by Elizabeth Freestone and featuring Jade Anouka as Margaret of Anjou.
This book is a guide to One Hundred Plays addressing the most urgent and important issue of our time: the climate crisis 100 Plays to Save the World is a book to provoke as well as inspire—to start conversations, inform debate, challenge our thinking, and be a launchpad for future productions. Above all, it is a call to arms—to step up, think big, and unleash theatre’s power to imagine a better future into being. Each play is explored with an essay illuminating key themes in climate issues: Resources, Energy, Migration, Responsibility, Fightback, and Hope. 100 Plays to Save the World is an empowering resource for theatre directors, producers, teachers, youth leaders, and writers looking for plays that speak to our present moment.
"A guide to one hundred plays drawn from around the world, written by one hundred different playwrights, addressing the most urgent and important issue of our time: the climate crisis. The plays discussed in this guide span a wide variety of styles, genres, and cast sizes-all speaking to an aspect of the climate emergency. Encompassing both famous plays and lesser-known works, the selections include recent writing that explicitly wrestles with these issues, as well as classic texts in which these resonances now ring out clearly. Each play is explored in a concise essay illuminating key themes and highlighting its contribution to our understanding of climate issues, with sections including Re...
A moving and unexpectedly funny play about a couple grieving the loss of their child.
The most controversial and newsworthy plays of British theatre are a rash of rude, vicious and provocative pieces by a brat pack of twentysomethings whose debuts startled critics and audiences with their heady mix of sex, violence and street-poetry. In-Yer-Face Theatre is the first book to study this exciting outburst of creative self-expression by what in other contexts has been called Generation X, or Thatcher's Children, the 'yoof' who grew up during the last Conservative Government. The book argues that, for example, Trainspotting, Blasted, Mojo and Shopping and F**king are much more than a collection of shock tactics - taken together, they represent a consistent critique of modern life, one which focuses on the problem of violence, the crisis of masculinity and the futility of consumerism. The book contains extensive interviews with playwrights, including Sarah Kane ( Blasted), Mark Ravenhill (Shopping and F**king), Philip Ridley (The Pitchfork Disney), Patrick Marber (Closer) and Martin McDonagh (The Beauty Queen of Leenane).
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Ever wonder what Santa was like as a child? Award-winning author/illustrator Jon Agee brings us the funny, playful answer in this Christmas picture book destined to become a classic. Little Santa loves the North Pole. The rest of his family? Not so much. So, when they decide to move to Florida, Santa is miserable. Lucky for him, a blizzard foils their plans. The only way out of the house is up the chimney. Up goes Santa, to look for help, and along the way, he meets a reindeer and a large group of elves, who are more than eager to join in the rescue! With the sly humor of Jon Klassen and the read-aloud pleasure of How the Grinch Stole Christmas, this tale of Santa’s beginnings is perfect for every kid’s holiday library.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY 'Chilling, powerful, audacious' The Times 'Magnificent. You are in the hands of a writer at the height of her powers' Evening Standard There was a woman at the heart of the Trojan War whose voice has been silent - until now. Discover the greatest Greek myth of all - retold by the witness that history forgot . . . Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive to become the author of her own story? THE PERFECT GIFT FOR FANS OF MADELINE MILLER'S CIRCE AND THE SONG OF ACHILLES! *Shortlisted for the Women's Prize for Fiction and the Costa Novel Award* Pat Barker continues her extraordinary retelling of one of our greatest myths in The Women of Troy.
'The smaller you are, the quicker your heart beats. But it doesn't matter what size your heart is, we all only get an average of about two billion beats over our lifetime. It's just a pump at the end of the day, right?' Seventeen-year-old Asha is a rebel, inspired by historical revolutionaries and unafraid of pointing out the hypocrisy around her - but less sure how to actually dismantle it. Her younger sister, Bettina, wide-eyed and naive, is just trying to get through the school day without having her pocket money nicked. With essays to write, homework to do, and bus journeys home, the two sisters meet every afternoon, outside the school gates, to tackle the injustice of the world. Sonali Bhattacharyya's play Two Billion Beats is an insightful, heartfelt coming-of-age story and a blazing account of inner-city, British-Asian teenage life. It was originally presented in the Inside/Outside season, livestreamed from the Orange Tree Theatre, Richmond, before receiving a production there in this full-length version in 2022, directed by Nimmo Ismail.
Dennis Kelly explores Kelly’s unusual career path and sheds light on his eclectic approach to the arts, characterised by a refusal to write texts that people can fit within neat categories. This is the first monograph on Kelly’s work for stage and screen and brings to light his essential contribution to contemporary British drama and his huge range of work including his rise to international fame with Matilda the Musical. Drawing on Kelly’s published and unpublished texts, his work in production, reviews, original interviews with directors, actors and with Kelly himself as well as critical theory, Dennis Kelly examines and reappraises key motifs in his work such as his preoccupation wi...