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Tells the story of the Chickasaw people through vivid photography and rich essays.
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New Plains Review is published semiannually in the spring and fall by the University of Central Oklahoma and is staffed by faculty and students. We are committed to publishing high quality poetry, fiction and creative non-fiction by established and emerging writers.New Plains Review started in 1986 as a student publication of the Liberal Arts College of Central State University (now the University of Central Oklahoma). They solicited and published manuscripts from students of the humanities.The publishers of the first issue said, "With zeal and reason, we provide an evocative forum wherein issues of concern to all fields of humanities may be discussed."Over the years, New Plains Review has expanded its range to invite writers beyond the university community. We receive hundreds of submissions from all over the country, and the authors we publish range from the well-known to the soon-to-be-discovered.
A valuable look at how Native language programs contribute to broader community-building efforts--Provided by publisher.
A Listening Wind, a collection of translated original texts and commentary edited by Marcia Haag, highlights the large array of Indigenous linguistic and cultural groups of the U.S. Southeast. A whole range of genres and selected texts represent language groups of the Choctaw, Creek, Chickasaw, Yuchi, Cherokee, Koasati, Houma, Catawba, and Atakapa. The traditional and modern Native literature genres showcased in A Listening Wind include stories that speakers perceive to be in the past (or “fixed”), genres that have developed alongside these stories, and modern story types that have sometimes supplanted traditional tales and are now enjoying trajectories of their own. These texts have been selected to demonstrate particular literary themes and the cultural perspectives that inform them. Introductory essays illuminate how they fit into Native American religious and philosophical systems. Overall this collection discloses the sometimes hidden connections among genres as well as their importance to language groups of the Southeast.
Andrew Jackson spoke to Americans in ways that reflected the concerns of a young nation. Grover Cleveland helped citizens redefine themselves after the havoc of the Civil War era. FDR confronted widespread hardship with hope and determination, while Eisenhower spoke to our fears of the Communist menace. Throughout our history, presidents by their very utterances have shaped our sense of who we are as Americans. As Mary Stuckey observes, presidents embrace, articulate, and reinvigorate our sense of national identity. They define who Americans are—often by declaring who they aren’t. In this book, she shows how presidential speech has served to broaden the American political community over ...
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This reference offers reliable knowledge about women's diverse faith practices throughout history and prehistory, and across cultures. Across the span of human history, women have participated in world-building and life-sustaining cultural creativity, making enormous contributions to religion and spirituality. In the contemporary period, women have achieved greater equality, with more educational opportunities, female role models in public life, and opportunities for religious expression than ever before. Contemporaneously with this increased visibility, women are actively and energetically engaging with religion for themselves and for their communities. Drawing on the expertise of a range of scholars, this reference chronicles the religious experiences of women across time and cultures. The book includes sections on major religions as well as on spirituality, African religions, prehistoric religions, and other broad topics. Each section begins with an introduction, followed by reference entries on specialized subjects along with excerpts from primary source documents. The entries provide numerous suggestions for further reading, and the book closes with a detailed bibliography.
In 2010 Mike and Martha Larsen presented their sequel to They Know Who They Are. For profiles to accompany portraits and sketches of twenty-three Chickasaw elders, the Larsens called upon Chickasaw historian and fellow artist Jeannie Barbour. The result is a broad sweep of Chickasaw history and experience.