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Cultural Criminology
Winner of the ASC Distinguished Book Award for International Research! 'Beautifully written and superbly conceived, with illustrations and examples that combine theory and practice across a range of disciplines, Cultural Criminology should be read by anyone – academics and smart readers alike – interested in crime, media, culture and social theory. Bravo to Ferrell, Hayward and Young on a tour de force that is at once cool and classic! Cultural Criminology will influence the field for a very long time to come.' - Professor Lynn Chancer, Hunter College, CUNY, USA `This is not just a book on the present state and possible prospects of our understanding of crime, criminals and our responses...
Empire of Scrounge
Throughout this engaging narrative, full of a colorful cast of characters, from the mansion living suburbanites to the junk haulers themselves, Ferrell makes a persuasive argument about the dangers of over-consumption.
Crimes of Style
First published in 1993, Crimes of Style investigates the politics of culture and crime through an in-depth case study of graffiti in Denver and the official response to it. Focusing on the most prevalent form of graffiti writing in Denver, the book provides a detailed consideration of the social and cultural circumstances that surround its creation. It explores the national and international development and reception of hip hop graffiti that provided the context in which Denver’s hip hop graffiti emerged. It also examines the reaction of Denver’s corporate and political community, highlighting the establishment of campaigns to criminalise it and identifying both Denver’s graffiti scene and the response to it as interwoven with broader cultural processes. Most significantly, the book puts forward the circumstances surrounding the phenomenal growth of, and subsequent attempts to suppress, hip hop graffiti as indicative of injustice and inequality within the United States.
Tearing Down the Streets
From New York to San Francisco, Times Square to the Tenderloin, graffiti artists, young people, radical environmentalists, and the homeless clash with police on city streets in an attempt take back urban spaces from the developers and "disneyfiers". Drawing on more than a decade of first-hand research, this lively account goes inside the worlds of street musicians, homeless punks, militant bicycle activists, high-risk "BASE jump" parachutists, skateboarders, outlaw radio operators, and hip hop graffiti artists, to explore the day-to-day skirmishes in the struggle over public life and public space.
Making Trouble
In Making Trouble, leading scholars in criminology, sociology, criminal justice, womens studies, and social history explore the mediated cultural dynamics that govern image construction and understanding of a wide range of contemporary controversies (for instance, drug dealing, freight train graffi ti, anti-abortion violence, etc.). Edited within unifying central themes such as "situated media"; the evolution of policing and social control; and the gendered construction of crime, deviance, and control, Making Trouble marks a signifi cant expansion within this field.
Cultural Criminology
Cultural criminology has now emerged as a distinct theoretical perspective, and as a notable intellectual alternative to certain aspects of contemporary criminology. Cultural criminology attempts to theorize the interplay of cultural processes, media practices, and crime; the emotional and embodied dimensions of crime and victimization; the particular characteristics of crime within late modern/late capitalist culture; and the role of criminology itself in constructing the reality of crime. In this sense cultural criminology not only offers innovative theoretical models for making sense of crime, criminality, and crime control, but presents as well a critical theory of criminology as a field of study. This collection is designed to highlight each of these dimensions of cultural criminology - its theoretical foundations, its current theoretical trajectories, and its broader theoretical critiques-by presenting the best of cultural criminological work from the United States, Europe, Australia, and elsewhere.
Ethnography At The Edge
The candid, first-person accounts of their experiences, especially in illegal, immoral, and dangerous situations, reveal the horrors, perils, and joys of ethnographic research. The methodological, theoretical, and political implications of field work are also thoroughly discussed. Describing their deep involvement with such diverse groups as skinheads, phone sex workers, drug dealers, graffiti artists, and the homeless, many of the authors confess to their own episodes of illegal drug use, drunk driving, weapons violations, assault at gunpoint, obstruction of justice, and arrest while engaged in ethnographic studies. Although field research is seldom safe, convenient, or above professional criticism, this volume demonstrates that it is vital for providing a fuller understanding of deviant and criminal populations.
Criminal Identities and Consumer Culture
Using unique data taken from criminals locked in lower class locations, this book aims to uncover feelings and attitudes towards a variety of criminal activities.
Comic Book Crime
Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an Am...
Routledge International Handbook of Visual Criminology
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field: • Part I introduces formative positions in the developments of visual criminology and e...
