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NEW & NOTEWORTHY ~ THE NEW YORK TIMES With a Foreword by Susan Orlean, twenty-three of today's living literary legends, including Donna Tartt, Viet Thanh Nguyen, Andrew Sean Greer, Laila Lalami, and Michael Chabon, reveal the books that made them think, brought them joy, and changed their lives in this intimate, moving, and insightful collection from "American's Librarian" and recipient of the National Book Foundation's Literarian Award for Outstanding Service Nancy Pearl and noted playwright Jeff Schwager that celebrates the power of literature and reading to connect us all. Before Jennifer Egan, Louise Erdrich, Luis Alberto Urrea, and Jonathan Lethem became revered authors, they were reade...
With the increasing availability of biological and chemical materials, the threat of terrorism grows daily. Innocent bystanders -the major targets of terrorists because they gain the most publicity - create a vast number of potential victims. In our changing world, horrendous violence has become commonplace. The growth of incidences involving chemical and biological agents has created a need for local response teams to be aware of the dangers they face. Emergency Response to Chemical and Biological Agents serves as a training manual for emergency responders who handle incidents involving biological and chemical hazardous materials. The author covers poisons such as nerve, blood, blister, and...
Presents scathing reviews for over two hundred movies that the reviewer has given a rating of two stars or fewer since 2006.
The Market Wizards are back! Unknown Market Wizards continues in the three-decade tradition of the hugely popular Market Wizards series, interviewing exceptionally successful traders to learn how they achieved their extraordinary performance results. The twist in Unknown Market Wizards is that the featured traders are individuals trading their own accounts. They are unknown to the investment world. Despite their anonymity, these traders have achieved performance records that rival, if not surpass, the best professional managers. Some of the stories include: - A trader who turned an initial account of $2,500 into $50 million. - A trader who achieved an average annual return of 337% over a 13-...
For scholars of film and readers who love cinema, these essays will be rich and playful inspiration.
In this e-book exclusive, the Pulitzer Prize–winning film critic presents reviews of twenty-seven fantastic film noir movies. Sometimes there’s just nothing more absorbing than watching a movie that truly looks at life on the dark side, revealing those dark parts of human nature that we find so fascinating. In Roger Ebert’s picks of 27 Movies from the Dark Side, he offers a varied selection from a look at the seamy side of life in L.A. in Chinatown to a backwoods murder gone wrong in Blood Simple. Throw in two classics from Alfred Hitchcock, Notorious and Strangers on a Train, and two French tours de force, Bob le Flambeur and Touchez Pas au Grisbiand you’ve got the primer on film noir.
What in terms of Alice Munro’s creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian, and just the thirteenth woman in history to win the Nobel Prize in Literature? And exactly when during Munro’s career did her artistry and power advance to ensure that she would earn such world-wide renown? The answers lie in studying the boldly innovative yet greatly under-examined group of her four mid-career breakthrough books. Our volume therefore provides a carefully orchestrated analysis of Munro’s subtle yet potent handling of form, technique and style both within individual stories and across these special collections. Reading Alice Munro’s Breakthrough Books: A Suite in Four Voices not only addresses a significant vacancy in Munro criticism – and, by extension, in all short story criticism – but, equally importantly, offers an exciting new model for how criticism can be collectively written.
Roger Ebert has been writing film reviews for the Chicago Sun-Times for over four decades now and his biweekly essays on great movies have been appearing there since 1996. As Ebert noted in the introduction to the first collection of those pieces, “They are not the greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone. But it’s fair to say: If you want to take a tour of the landmarks of the first century of cinema, start here. Enter The Great Movies III, Ebert’s third collection of essays on the crème de la crème of the silver screen, each one a model of critical appreciation and a blend of love and analysis that wi...
In this intimate and often surprising personal portrait, Joseph McBride challenges the conventional wisdom that Welles's career after Citizen Kane, widely regarded as the greatest film ever made, fell into a long decline. The author shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet widely misunderstood later period in the United States (1970–1985), when McBride knew the director and worked with him as an actor on The Other Side of the Wind, Welles's personal testament on filmmaking. To put Wel...
Focusing on films outside the horror genre, this book offers a unique account of the Frankenstein myth's popularity and endurance. Although the Frankenstein narrative has been a staple in horror films, it has also crossed over into other genres, particularly comedy and science fiction, resulting in such films as Abbott and Costello Meet Frankenstein, Young Frankenstein, The Rocky Horror Picture Show, Bladerunner, and the Alien and Terminator film series. In addition to addressing horror's relationship to comedy and science fiction, the book also explores the versatility and power of the Frankenstein narrative as a contemporary myth through which our deepest attitudes concerning gender (masculine versus feminine), race (Same versus Other), and technology (natural versus artificial) are both revealed and concealed. The book not only examines the films themselves, but also explores early drafts of film scripts, scenes that were cut from the final releases, publicity materials, and reviews, in order to consider more fully how and why the Frankenstein myth continues to resonate in the popular imagination.