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The Book of Transparencies
Fiction. THE BOOK OF TRANSPARENCIES begins in 2005 with an unnamed narrator who finds a copy of The Book of Transparencies by William Bolzebados, published in 1977, in the community college library where he teaches. Drawn to the author and the book's subject (the relationship between Bolzebados and the artist Cleo Barnes), the narrator begins to follow Bolzebados' life and the story of his book, travels that take the narrator through New York, Paris, Italy, Berlin, fictional parallel landscapes and fabrications, and finally to Maine where Bolzebados disappeared from the back of the Aucocisco Ferry bound for Peaks Island in October of 1975. The arc of the narrative swirls around the reasons for, and results of, this event. The narrator creates an archive of this particular history which includes himself, Bolzebados and Barnes, but also a more amorphous, clouded space where all three of them exist, speak and attempt to fill in the holes and gaps of their collective memory.
Wait
Wait is an anthology of poems and visual art by Maine poets and artists inspired by the Covid-19 pandemic of 2020-21. It includes work by three former and one current Maine state poets laureate, and art work by some of Maine most prestigious visual artists. Over sixty poets and artists contributed to the anthology. It was published by Littoral Books of Portland.
Antique Densities
Fiction. Poetry. Jefferson Navicky's ANTIQUE DENSITIES:MODERN PARABLES & OTHER EXPERIMENTS IN SHORT PROSE flickers between the surreal and the recognizable, entering into dialogue with elders of influence to imagine a way into connection. Somewhere between poetry and short fiction, these modern parables put a reader in touch with a diverse array of characters from Justin Bieber to Jorge Luis Borges. "ANTIQUE DENSITIES is a joyful counterspell to the curse of disenchantment, a long, beautiful string of unforeseeable sentences."--Kristen Case "ANTIQUE DENSITIES is a wild story-map of glowing imaginations, surreal hallucinations and timeless contemplations. There's a dream-sequence to these winding narratives, one that reveals itself in layers of strange and beautiful meaning. In creating this collection, Jefferson Navicky has done that magical thing that so many writers and artists fear: he's let his deepest literary influences wander rampant through the pasture of his consciousness, and the result is a stunning alchemy of authenticity and homage."--Jaed Coffin
The Maine Standard Vol. 1
Maine has always been steeped in ingenuity and boldness. Perhaps it is the mix of granite coast and balsam breezes that gives rise to this inspiration, but whatever it is, the state has long held an abundance of world-class writers and artists. Honoring this deep tradition of great writing, The Maine Standard is an annual journal celebrating the uniqueness of Maine, the unusual and the unexpected. Perhaps our founder Duane Doolittle said it best: “We don’t pretend that we can define this evocative term, Down East . . . All that we can honestly say is that we are tuned to this particular parcel of land, and that we like its music.” The Maine Standard publishes stand-out writing that captures the true character of Maine, writing that sings!
A Rising & Other Poems
Poetry. "Years ago, I predicted that David Sloan's name would easily join those who revel in the stubbornly elusive meld of craft and lyric. Ever since I've known him, he's mastered it with enviable ease, in deftly-spun poems probing what consoles and disquiets us--inexplicable loss, love that illuminates, the quirks and quandaries of the natural world. This is the book that will do it."--Patricia Smith "David Sloan's second collection of poems astonishes and delights at every turn, literally as each line breaks upon a next elegant phrase, apt image or surprising metaphor. There are several ekphrastic poems that are among the best I've ever read, a sestina that definitely is, a supple and in...
Any God Will Do
"There are no machine guns, or cameras, here." Any God Will Do is a collection that investigates the lines between worldliness and asceticism, belief and delusion, chance and design, desire and its transcendence. Internal and end rhyme structure these pithy and compact poems that are rife with classical, pop culture, and poetic allusions. They culminate in an argument that intimacy and creation through language are not only possible within a capitalist framework, but indeed may be the only ballasts we know.
Spoonhandle
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Wicked Enchantment
The time has never been better for this re-introduction of Wanda Coleman's work to a new audience of readers.
Principles of Economics
Poetry. Women's Studies. PRINCIPLES OF ECONOMICS is a series of interconnected elegies for the poet's former partner and her father, who died within 6 months of each other. The elegies engage other texts, including The Iliad, Chopin's Ballades, Shakespeare's sonnet 15, Milton's Paradise Lost and an economics textbook, as they seek to sound out routes between the present and the past. The book's central interest in music is derived from the sense that musical structure is above all else a way of manipulating our experience of time. In the inchoation central to grief, these poems find possibilities for living in a changed time, a present overlaid with or in counterpoint to the past: a thicker time, in which the dead also are.
Little Arias
Divided into six dissimilar but related sections, Little Arias, simultaneously draws on and problematizes the linguistic roots of aria. On one hand Case's tight poems (almost always delivered in the first person) do feel like small songs sung inwardly and quietly between the symbol crashes of the wide world and its chorus of voices. However, where operatic arias are all about the solo, Case prefers the duo. Her arias enter into conversation with philosophers, writers, children, and most often, memory. Memory is both self and not-self, both voice and not-voice; and yet, as poets, we re-make it all the time. Case explores this concept masterfully in the elegantly haunting "Miscarriage" and "Being with One Absent." But she is at her best when mixing memory and influence in the quote-inspired segment of twelve poems, entitled Twelve Sentences.
