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This third issue of MOME will include the following: John Pham's "221 Sycamore Street," presented in a unique three-color process and design that recalls the classic strip Gasoline Alley; Paul Hornschemeier's "Life with Mr. Dangerous," a full-color narrative about a young woman who struggles to define a life outside of the example her mother provides, spending far too much time watching a cartoon called "Mr. Dangerous"; and David Heatley (Deadpan, McSweeney's) tells a story from the fictional town of Overpeck, a city he conceived in a dream. The issue also features new work by Anders Nilsen (in full-color), Jeffrey Brown (of Clumsy, Big Head!, and McSweeney's fame), Andrice Arp (Sheherezade), Kurt Wolfgang (Where Hats Go), Gabrielle Bell (Sheherezade), Jonathan Bennett (Esoteric Tales), Sophie Crumb (Belly Button Comix), and Marc Bell (Shrimpy & Paul).
2019 National Jewish Book Award Finalist for Biography. Ben Hecht had seen his share of death-row psychopaths, crooked ward bosses, and Capone gun thugs by the time he had come of age as a crime reporter in gangland Chicago. His grim experience with what he called “the soul of man” gave him a kind of uncanny foresight a decade later, when a loose cannon named Adolf Hitler began to rise to power in central Europe. In 1932, Hecht solidified his legend as "the Shakespeare of Hollywood" with his thriller Scarface, the Howard Hughes epic considered the gangster movie to end all gangster movies. But Hecht rebelled against his Jewish bosses at the movie studios when they refused to make films a...
Every "period" in modern comics history has had its anthology that tapped into the zeitgeist and foreshadowed a new "generation" of cartoonists (Zap in the '60s; Arcade in the '70s; RAW and Weirdo in the '80s, etc.). For the new millennium, there is MOME. This accessible, reasonably priced quarterly book will run approximately 136 pages per volume and spotlight a regular cast of a dozen of today's most exciting cartoonists. Designed by acclaimed designer and cartoonist Jordan Crane, MOME will feature an iconic design and consistent format that should quickly establish the anthology as the most distinctive and accessible anthology of literary comics available.
In Gregory Peck: A Biography, Gary Fishgall meticulously recounts Peck's influential life, revealing the effects of the actor on the film industry and of the film industry on the actor."--BOOK JACKET.
After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.
New from local authors Louise S. O'Connor and Cecilia Thompson is Marfa, the pictorial history title dating back to 1883 when the city was originally established as a water stop for the Galveston, Harrisburg, and San Antonio Railroad.Marfa boasts more than 200 vintage photographs and chronicles area history from the development of the famous Highland Hereford that propelled local cattle ranching to a nationally recognized level to the area's remarkable blend of cultures due to its proximity to Mexico.