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Unfettering Poetry
This book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
To the Ends of the Earth
Calvinist missionaries. If you think that sounds like an oxymoron, you're not alone. Yet a close look at John Calvin's life and writings reveals a man who was passionate about the spread of the gospel and the salvation of sinners. From training pastors at his Genevan Academy to sending missionaries to the jungles of Brazil, Calvin consistently sought to encourage and equip Christians to take the good news of salvation to the very ends of the earth. In this carefully researched book, Michael Haykin and Jeffrey Robinson clear away longstanding stereotypes related to the Reformed tradition and Calvin's theological heirs, highlighting the Reformer's neglected missional vision and legacy.
The Poetics of Prophecy
Since the mid-1700s, poets and scholars have been deeply entangled in the project of reinventing prophecy. Moving between literary and biblical studies, this book reveals how Romantic poetry is linked to modern biblical scholarship's development. On the one hand, scholars, intellectuals, and artists discovered models of strong prophecy in biblical texts, shoring up aesthetic and nationalist ideals, while on the other, poets drew upon a counter-tradition of destabilizing, indeterminate, weak prophetic power. Yosefa Raz considers British and German Romanticism alongside their margins, incorporating Hebrew literature written at the turn of the twentieth century in the Russia Empire. Ultimately she explains the weakness of modern poet-prophets not only as a crisis of secularism but also, strikingly, as part of the instability of the biblical text itself. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Poetic Innovation in Wordsworth, 1825-1833
Nightly streams -- A day's ramble -- Walks on the terrace -- Artifice of absorption -- Surface miracles -- Season of attention -- Season of fancy and of hope.
Active Romanticism
"Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"--
The Cambridge Companion to Shelley
Percy Bysshe Shelley (1792–1822) was an extraordinary poet, playwright and essayist, revolutionary both in his ideas and in his artistic theory and practice. This 2006 collection of original essays by an international group of specialists is a comprehensive survey of the life, works and times of this radical Romantic writer. Three sections cover Shelley's life and posthumous reception; the basics of his poetry, prose and drama; and his immersion in the currents of philosophical and political thinking and practice. As well as providing a wide-ranging look at the state of existing scholarship, the Companion develops and enriches our understanding of Shelley. Significant new contributions include fresh assessments of Shelley's narratives, his view of philosophy, and his role in emerging views about ecology. With its chronology and guide to further reading, this lively and accessible Companion is an invaluable guide for students and scholars of Shelley and of Romanticism.
The Dark Side of Paradise
No detailed description available for "The Dark Side of Paradise".
Why Nations Fail
Shortlisted for the Financial Times and Goldman Sachs Business Book of the Year Award 2012. Why are some nations more prosperous than others? Why Nations Fail sets out to answer this question, with a compelling and elegantly argued new theory: that it is not down to climate, geography or culture, but because of institutions. Drawing on an extraordinary range of contemporary and historical examples, from ancient Rome through the Tudors to modern-day China, leading academics Daron Acemoglu and James A. Robinson show that to invest and prosper, people need to know that if they work hard, they can make money and actually keep it - and this means sound institutions that allow virtuous circles of innovation, expansion and peace. Based on fifteen years of research, and answering the competing arguments of authors ranging from Max Weber to Jeffrey Sachs and Jared Diamond, Acemoglu and Robinson step boldly into the territory of Francis Fukuyama and Ian Morris. They blend economics, politics, history and current affairs to provide a new, powerful and persuasive way of understanding wealth and poverty.
The Current of Romantic Passion
Deftly probing the ambivalence of Romantic writers on the subjects of "passion" and "beauty," Robinson shows how this ambivalence is also central to the experience of the modern critic in Western society. Is the reader's experience of beauty in art an escape from troubling reality? Or does desire for beauty spur social criticism and reform? Does the representation of erotic passion, as a sign of social critique, exist to be transcended for disinterested spirituality? Or is such passion the very site of the struggle for individual and class rights? Robinson explores the problematic place of passion and beauty in Romanticism's radical sentiments and reformist politics. Tracing the intertwining...
Wordsworth Day by Day
What if the great Romantic poet William Wordsworth were alive today? Jeffrey Robinson performs an act of textual magic that gives us a sense of what that might be like. Between August 2002 and August 2003 he kept a diary while reading Wordsworth and found that work of 200 years ago shows up powerfully as a fact of daily life. Experiments with spontaneous literary criticism tease out a lifetime of familiarity with the poet, his surroundings, and Romantic culture. History now opens to chance juxtapositions with events in the world and Robinson's own mind and quotidian experience, including his own Wordsworth-related poems in open forms, along with running poetic commentaries. To renew familiar work by discovering direct ways into its animating principles, Wordsworth is read through the ears and eyes of twentieth-century experimental poetry and poetics. This shows Wordsworth's own experimentalism and principle of the life of things to be still vital to poetic life now. Robinson's critical response belongs to the tradition of H.D., Charles Olson, Ronald Johnson, and Susan Howe
