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The New Negro
The definitive biography of Alain Locke, the first African American Rhodes Scholar and Harvard PhD in philosophy, Howard University philosophy scholar, and architect of the Harlem Renaissance, who mentored a generation of artists including Langston Hughes and Zora Neale Nurston and promoted the work of African Americans as the quintessential creators of American modernism. This biography explores his professional and private life, including his relationships with white patrons and his lifelong search for love as a gay man.
1001 Things Everyone Should Know about African American History
This comprehensive and entertaining account of African-American history is presented in a fun, engaging, and intelligent way. Significant information in six broad sections includes Great Migrations; Civil Rights and Politics; Science, Inventions, and Medicine; Sports; Military; Culture and Religion.
The New Negro Aesthetic
Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination A Penguin Classic For months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the "Negro problem" and Harlem as a site of crime, poverty, and dysfunction....
The Cambridge Companion to the Harlem Renaissance
This 2007 Companion is a comprehensive guide to the key authors and works of the African American literary movement.
Race Contacts and Interracial Relations
Race Contacts and Interracial Relations comprises five lectures that Alain Locke, Howard University professor of philosophy and critic of the Harlem Renaissance, delivered in 1916 at Howard University. Locke examines race and racism in twentieth-century social relations and provides a means of analyzing race and ethnic conflict in relation to economic and political changes in society. He suggests that a way to understand racial conflict is to look at nonracial issues that divide a society and at how race becomes a symbol of those issues and conflicts. Locke's early recognition and articulation of Franz Boas's theory of race in these lectures and his contention that racism is socially generat...
Portfolio Management
A career’s worth of portfolio management knowledge in one thorough, efficient guide Portfolio Management is an authoritative guide for those who wish to manage money professionally. This invaluable resource presents effective portfolio management practices supported by their underlying theory, providing the tools and instruction required to meet investor objectives and deliver superior performance. Highlighting a practitioner’s view of portfolio management, this guide offers real-world perspective on investment processes, portfolio decision making, and the business of managing money for real clients. Real world examples and detailed test cases—supported by sophisticated Excel templates...
Paul Robeson
Paul Robeson, the towering six-foot six athlete, orator, actor, singer, intellectual, and activist, was arguably one of the most simultaneously loved and loathed American personalities of the 20th century. This collection, edited by George Mason University professor Jeffrey Stewart to serve as a companion to a traveling exhibition marking the centennial anniversary of his birth on April 9, 1898, brings together 18 scholars and historians to the most detailed and balanced look at Robeson to date. Francis C. Harris details Robeson's career as an multilettered athlete at Rutgers University, where he endured gang tackles, a dislocated shoulder, and a broken nose. In "Paul Robeson, Musician," Dor...
Procession
This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909Ð1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory. His art derived inspiration from music (jazz and classical) and nature (seasonal change, plant forms, the sea). Also central to his work were the dramatic confrontations of the civil rights movement, in which he was an active participant among the New York art scene. Bridging the Harlem Renaissance, Abstract Expressionism, and beyond, Lewis is a crucial figure in American abs...
Barthé
A celebration of the acclaimed African American modern sculptor
The New Negro
Winner of the 2018 Pulitzer Prize for Biography Winner of the 2018 National Book Award for Nonfiction A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro -- the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the ...
