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Profiles in Canadian Literature is a wide-ranging series of essays on Canadian authors. Each profile acquaints the reader with the writer’s work, providing insight into themes, techniques, and special characteristics, as well as a chronology of the author’s life. Finally, there is a bibliography of primary works and criticism that suggests avenues for further study. "I know of no better introduction to these writers, and the studies in question are full of basic information not readily obtainable elsewhere." -U of T Quarterly
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This study of the life and works of Evelyn Waugh traces the novelist's pursuit of his vocation and his long retreat from a world which he came to regard as a spiritual dungeon. Jeffrey Heath explores the paradoxical elements in Waugh's career: his quest for a refuge itself proved to be a prison and his devotion to the Augustan graces was accompanied by a lasting attraction to a Dionysiac age without restratint. The deep cleft in Waugh's nature imbued his art with the characteristic quirky complexity which has fascinated many readers, but it left him a choleric and melancholy man who never fully accepted his calling as a writer.
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In 1907, a shy bank clerk sent a collection of his poems south from the Yukon to be privately published and shared with a small group of friends. Fate intervened, however, and Robert Service became a household name across North America and throughout the British Commonwealth. Words were Service's lifelong passion, and he set them on many stages. But it was his Dan McGrew, Sam McGee and other players of the Great White North who glittered with a golden glow and forever made him the "Bard of the Yukon" and the de facto Poet Laureate of Alaska. Enid Mallory's Robert Service: Under the Spell of the Yukon sheds new light on the life and career of this intriguing and intensely private man, and celebrates the poet's verse. This edition includes a selection of some of the most loved Service poems, including "The Cremation of Sam McGee," "The Shooting of Dan McGrew," "The Call of the Wild," "The Spell of the Yukon" and "The Ballad of Blasphemous Bill."
Meticulously examining ethnographic sources, Christophe Darmangeat argues that warfare among Australian Aborigines was mostly an extension of their judicial systems. He demonstrates how violent conflict occurred when circumstances prohibited regulated proceedings.
The era of literary modernism coincided with a dramatic expansion of broadcast media throughout Europe, which challenged avant-garde writers with new modes of writing and provided them with a global audience for their work. Historicizing these developments and drawing on new sources for research – including the BBC archives and other important collections - Broadcasting in the Modernist Era explores the ways in which canonical writers engaged with the new media of radio and television. Considering the interlinked areas of broadcasting 'culture' and politics' in this period, the book engages the radio writing and broadcasts of such writers as Virginia Woolf, W. B. Yeats, Ezra Pound, T. S. Eliot, James Joyce, George Orwell, E. M. Forster, J. B. Priestley, Dorothy L. Sayers, David Jones and Jean-Paul Sartre. With chapters by leading international scholars, the volume's empirical-based approach aims to open up new avenues for understandings of radiogenic writing in the mass-media age.
The Canadian Dramatist, Volume 3 The six playwrights discussed in this volume are Carol Bolt, Erica Ritter, Sharon Pollack, Margaret Hollingsworth, Anne Chislett, and Judith Thompson.
This volume gathers together authors and critics to reappraise the legacy of Sinclair Ross. Beyond Ross' major novel As For Me and My House, the contributors reestablish the value of his other writings in their literary and historical contexts. Published in English.
This is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel. This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and all...