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Bound to Read
  • Language: en
  • Pages: 289

Bound to Read

Jeffrey Todd Knight excavates the culture of book collecting and compiling in early modern England, examining how the pervasive practice of mixing texts, authors, and genres into single bindings defined Renaissance ways of thinking and writing.

Bound to Read
  • Language: en
  • Pages: 289

Bound to Read

Concealed in rows of carefully restored volumes in rare book libraries is a history of the patterns of book collecting and compilation that shaped the literature of the English Renaissance. In this early period of print, before the introduction of commercial binding, most published literary texts did not stand on shelves in discrete, standardized units. They were issued in loose sheets or temporarily stitched—leaving it to the purchaser or retailer to collect, configure, and bind them. In Bound to Read, Jeffrey Todd Knight excavates this culture of compilation—of binding and mixing texts, authors, and genres into single volumes—and sheds light on a practice that not only was pervasive ...

Shakespeare Unlearned
  • Language: en
  • Pages: 225

Shakespeare Unlearned

Shakespeare Unlearned dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotli...

The Cambridge Companion to Shakespeare's First Folio
  • Language: en
  • Pages: 223

The Cambridge Companion to Shakespeare's First Folio

An international team of scholars covers every aspect of one of the most famous books in the English language.

Material Texts in Early Modern England
  • Language: en
  • Pages: 223

Material Texts in Early Modern England

This book combines book history and literary criticism to explore how early modern books were richer things than previously imagined.

Marketing English Books, 1476-1550
  • Language: en
  • Pages: 289

Marketing English Books, 1476-1550

Explores how the earliest printers moulded demand and created new markets and argues that marketing changed what was read and the place of reading in sixteenth-century readers' lives, shaping their expectations, tastes, and their practices and beliefs.

Ghosts, Holes, Rips and Scrapes
  • Language: en
  • Pages: 209

Ghosts, Holes, Rips and Scrapes

Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth century. The discovery of these "Pavier Quartos," as they became kno...

Early Modern Herbals and the Book Trade
  • Language: en
  • Pages: 307

Early Modern Herbals and the Book Trade

In the early modern herbal, Sarah Neville finds a captivating example of how Renaissance print culture shaped scientific authority.

Hamlet's Moment
  • Language: en
  • Pages: 339

Hamlet's Moment

Although we take for granted that drama was crucial to the political culture of Renaissance England, we rarely consider one of its most basic functions, namely, that it helped large audiences to understand what politics was. This book suggests that in this moment before newspapers, drama as a form of popular entertainment familiarized its audience with the profession of politics, with kinds of knowledge that were necessary for survival and advancement in politicalcareers. Shakespeare's Hamlet is particularly interested in these issues: in the coming and going of ambassadors, and in the question of the succession and of the conflict with Norway. Plays writtenby Ben Jonson, John Marston, George Chapman, and others in the following years shared a similar focus, inviting the public to imagine what it meant to have a political career. In doing so, they turned politics into a topic of sociable conversation, which people could use to impress others.

Shakespeare and Textual Studies
  • Language: en
  • Pages: 483

Shakespeare and Textual Studies

A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.