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The Turkic-Turkish Theme in Traditional Malay Literature is the first detailed study of the representation of the Turkic peoples and Ottoman Turks in Malay literature between the 14th–19th centuries. Drawing on a wide range of texts, Vladimir Braginsky uncovers manifold metamorphoses and diverse forms of localisation of this Turkic-Turkish theme. This theme has strongly influenced the religious and political ideals and political mythology of Malay society. By creating fictional rather than realistic portrayals of the Turks and Turkey, imagining the king of Rum as the origin point of Malay dynasties, and dreaming of Ottoman assistance in the jihad against the colonial powers, Malay literati ultimately sought to empower the Malay ‘self’ by bringing it closer to the Turkish ‘other’.
This book brings together a group of international scholars, inspired by the scholarly perspective of Australian philologist Ian Proudfoot, who look at calendars and time, royal myths, colonial expeditions, printing, propaganda, theater, art, Islamic manuscripts, and many more aspects of Malayan history.
Buku ini memberi fokus kepada warisan sakral sama ada yang masih wujud serta diamalkan, mahupun yang telah lama ditinggalkan oleh masyarakat, umumnya di Nusantara. Sakral secara khusus bermaksud suci, mempunyai kuasa khas malah ajaib serta luar biasa, sering dikaitkan dengan hal yang bersifat kudus, transenden, misteri, sempurna dan mempunyai kesan transformatif kepada kehidupan dan takdir masyarakat yang mengamalkan dan menganutinya. Biarpun dunia kini telah semakin maju dan menjunjung tinggi nilai sains dan teknologi dalam kehidupan dan pembangunan negara, hakikatnya masyarakat yang menjadi asas kemajuan itu adalah manusia yang pernah tinggal dan merasai pengalaman sakral yang dilaksanakan...
Aceh has become best known in our times for its twin disasters—the worst earthquake and tsunami of modern times in December 2004, and a long-running separatist conflict that rent Indonesia for most of its independent history. Although this book emerged from the process of recovery from those traumas, it turns the spotlight on a more positive and neglected claim Aceh has on our attention, as the Southeast Asian maritime state that most successfully and creatively maintained its independent place in the world until 1874. Like Burma, Siam and Vietnam, all better protected by geography, Aceh has its own story to tell of a unique culture struggling for survival through the European colonial era...
“...penerbitan esei-esei ini juga digerakkan oleh rasa tidak senang penulis terhadap beberapa orang yang berlagak sarjana ilmu tawarikh tetapi menulis hal-hal dongeng ciptaannya sendiri yang didakwanya sebagai sejarah, tanpa mengemukakan dalil sahih yang menjadi landasan penulisan ilmu tawarikh atau ilmu sejarah.” Dalam karya terbarunya ini, Prof. Emeritus Ahmat Adam membincangkan zaman silam Melaka dan kaitannya dengan tawarikh bangsa Melayu. Esei-esei yang terkumpul dalam buku ini adalah hasil daripada penyelidikan beliau, dan antara topik yang dibincangkan ialah penaklukan kesultanan Melayu Melaka oleh bangsa Portugis, perihal Laksamana Melaka yang bergelar Hang Tuha (bukan “Tuah”), dan warisan budaya Nusantara seperti ilmu huruf serta hubungannya dengan permasalahan dan makna huruf al-Qur’an yang sangat mempengaruhi para sarjana zaman dahulu.
This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.
‘The basis of our historical imagination is the intellectual’s (or historian’s) critical thinking and their solidarity with the people, with their destiny and predicament, with the consistent aim of emancipating and liberating the subjugated, the oppressed, and the marginalised.’ History conditions the way that society discusses its problems. Treating history as a form of ‘imagination’, Azhar Ibrahim invites readers to probe the colonialist and nationalist tampering, suppression, and distortion of narratives on the Malays. In this thought-provoking book, the author encourages contemporary historians to move beyond the practice of Orientalist scholars: collecting data and describing facts. Instead, he promotes an alternative reading of history, one that departs from mainstream versions. Reflecting a strong understanding of classical Malay texts, the author also touches on broad themes such as psychological feudalism, orientalism, and the contestation of nationalist and colonialist perspectives on the community. Azhar’s book is a welcomed contribution and a must-read for those interested in alternative discourses in Malay Studies.
Faith and the State offers a historical development of Islamic philanthropy from the time of the Islamic monarchs, through the period of Dutch colonialism and up to contemporary Indonesia.
Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague d...
The pilgrimage to Mecca, or Hajj, has been a yearly phenomenon of great importance in Muslim lands for well over one thousand years. Each year, millions of pilgrims from throughout the Dar al-Islam, or Islamic world, stretching from Morocco east to Indonesia, make the trip to Mecca as one of the five pillars of their faith. By the end of the nineteenth century, and the beginning of the twentieth, fully half of all pilgrims making the journey in any given year could come from Southeast Asia. The Longest Journey, spanning eleven modern nation-states and seven centuries, is the first book to offer a history of the Hajj from one of Islam's largest and most important regions.