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Ovo je knjiga koja se cita godinama, isto kao sto se i pise. Neki kazu da u svakoj pesmi ima dovoljno materijala za citav roman. Ako je tako, a nema razloga da nije, onda u ovoj knjizi ima mnogo takvih romana. Romana o vremenu koje tece, o ljudima i njihovim naravima, njihovim osecanjima, o svim onim detaljima koji zivot cine koje nam pesnikinja daje sa slikarskim sjajem u ocima - svice u nocnoj basti, razne boje ukljucujuci i bezbroj nijansi srebrnastog, barsunastog, iskrenog, kroz srce filtriranog fenomena zivota. Jelena je napisala tri prave, ozbiljne knjige i stavila je u jedno srce. Elizino.
Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.
Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as for readers interested in visual culture.
When you think of abs you most likely think of magazine models with abs so tight you could grate cheese on them! Your pessimistic side may also think of bland diets and endless hours in the gym. Therefore, you assume abs are reserved only for models, bodybuilders or Hollywood celebrities. Not true! This book is going to take your average body and turn it into something you never thought possible. Finally separating the facts from the fiction, the Abs for Life System is your complete body makeover manual to lose that unwanted fat and uncover those abs you never knew you had. The book features the Lean for Life Nutrition System which combines a unique carb rotation method, proven to get lean and stay lean. The book also incorporates The Lean Muscle Plan, which is a Weight Training System to build, sculpt and tone your entire physique. No stone is left unturned with the Abs for Life System, it is without doubt the most comprehensive Body Makeover System to date!
The first book of poems by the great Japanese surrealist to be published in English In 1923, Shuzo Takiguchi’s first year at Tokyo’s Keio University was cut short by the Great Kanto Earthquake, which nearly destroyed the Japanese capital. When he returned to school two years later, he was hit by a second earthquake—French Surrealism. Takiguchi (1903–1979) began to write surrealist poems, translate surrealist writers, curate exhibitions of surrealist art, write art criticism, and, later, paint, helping introduce Surrealism to Japan. He eventually became a major Japanese artistic and cultural figure whose collected works number fourteen volumes. In A Kiss for the Absolute, Mary Jo Bang...
Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.
This book is a collection of chapters on dermatoscopy, which is a fast, easy-to-learn, low-cost, and non-invasive diagnostic method utilizing the Rayleigh scattering phenomenon to visualize epidermal and subepidermal structures. Dermatoscopy has become increasingly popular for allowing visualization of structures that are impossible to see with the naked eye. Its use provides insight into the biological potential of skin lesions, enabling efficient management and follow-up. The book focuses on the features of some of the most common skin neoplasms, such as combined nevi, as well as those that are more challenging to assess, such as pigmented lesions of the eyelid margins. It also provides novel insights into the role of dermatoscopy in palmoplantar dermatoses and discusses precautions in dermatoscopy during the SARS-CoV2 pandemic.
Combined nevi (CN) are clinically defined as melanocytic lesions comprising two or more distinct melanocytic nevus components, and from the cytological point of view, CN are determined by the presence of two or more different nevus cell types in one biopsy specimen. They are very uncommon and represent less than 1% of all biopsied melanocytic nevi. CN comprise any melanocytic nevi, but the most prevalent combination is CN that consist of blue nevus associated with common melanocytic nevus. CN owe their diversity to combination of different nevi, that are variously combined. Consequently, they can have variable clinical aspects and dermatoscopic features. Because of the presence of at least two distinct subtypes of nevomelanocytes, dermatoscopically CN can show multicomponent, unspecific, and peculiar patterns. Therefore, CN can mimic melanomas, their most important differential clinical, dermatoscopical and histopathological diagnosis.