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The Frightened Land
An investigation into the spatial politics of separation and division in South Africa, principally during the apartheid years, and the effects of these physical and conceptual barriers on the land. In contrast to the weight of literature focusing on post-apartheid South Africa, the focus of this book includes the spatial, political and cultural landscape practices of the apartheid government and also refers to contemporary work done in Australia, England and the US. It probes the uncertainty and ambiguity of identities and cultures in post-apartheid society in order to gain a deep understanding of the history that individuals and society now confront. Drawing on a wealth of research materials including literature, maps, newspapers, monuments, architectural drawings, government legislation, tourist brochures, political writing and oral histories, this book is well illustrated throughout and is a unique commentary on the spatial politics of a time of enormous change.
Colonial Survey and Native Landscapes in Rural South Africa, 1850 - 1913
In Colonial Survey and Native Landscapes in Rural South Africa, 1850 - 1913, Lindsay Frederick Braun explores the technical processes and struggles surrounding the creation and maintenance of boundaries and spaces in South Africa in the nineteenth and early twentieth centuries. The precision of surveyors and other colonial technicians lent these enterprises an illusion of irreproachable objectivity and authority, even though the reality was far messier. Using a wide range of archival and printed materials from survey departments, repositories, and libraries, the author presents two distinct episodes of struggle over lands and livelihoods, one from the Eastern Cape and one from the former northern Transvaal. These cases expose the contingencies, contests, and negotiations that fundamentally shaped these changing South African landscapes.
The Oxford Handbook of Religious Space
Introduction: Thinking about religious space : an introduction to approaches / Jeanne Halgren Kilde -- Conceptualizing space and place : genealogies of change in the study of religion / Juan E. Campo -- Hermeneutics of space : sacred space / Michael J. Crosbie -- Urbanism and religious space / Paul-François Tremlett -- Shared space, or mixed? / Robert M. Hayden -- Decommissioning and reuse of liturgical architectures : historical processes and temporal dimensions / Andrea Longhi -- The impermanence of religious space : three approaches to change in the American religioscape / Jeanne Halgren Kilde -- Planetary identities : globalization, climate change and meaning-making practices / Whitney ...
District 9: Johannesburg as Nostalgic Dystopia
The film District 9 made waves as an allegory of apartheid on the big screen, but it has not yet been given its rightful place as a landmark depiction within broader visual cultural studies of Johannesburg and cities in the Global South. In this book, Landi Raubenheimer argues that District 9’s portrayal of Johannesburg reverberates within a larger body of representations of the city, collectively shaping a unique visual ‘idiom’ for the post-apartheid city as nostalgic dystopia. Delving deeply into District 9, Raubenheimer brings to light the fascination that images of the city as nostalgic dystopia has held for filmmakers, photographers, viewers, and lovers of Johannesburg alike.
Image, Text, Architecture
Image, Text, Architecture brings a radical and detailed analysis of the modern and contemporary architectural media, addressing issues of architectural criticism, architectural photography and the role of journal editors. It covers examples as diverse as an article by British artist Paul Nash in The Architectural Review, 1940, an early project by French architects Lacaton & Vassal published in the journal 2G, 2001, and recent photography by Hisao Suzuki for the Spanish journal El Croquis. At the intersection of image and text the book also reveals the role of the utopian impulse within the architectural media, drawing on theories of utopian discourse from the work of the French semiotician a...
Public Art in South Africa
How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemorate heroes of the struggle? Across South Africa, statues commemorating figures such as Cecil Rhodes have provoked heated protests, while new works commemorating icons of the liberation struggle have also sometimes proved contentious. In this lively volume, Kim Miller, Brenda Schmahmann and an international group of contributors explore how works in the public domain in South Africa serve as a forum in which important debates about race, gender, identity and nationhood play out. Examining statues and memorials as well as performance, billboards, and other temporal modes of communication, the authors of these essays consider the implications of not only the exposure, but also erasure of events and icons from the public domain. Revealing how public visual expressions articulate histories and memories, they explore how such works may serve as a forum in which tensions surrounding race, gender, identity, or nationhood play out.
Decolonisation in Universities
In this collection of case studies and stories from the field, South African scholars come together to trade stories on how to decolonise the university Shortly after the giant bronze statue of Cecil John Rhodes came down at the University of Cape Town, student protestors called for the decolonisation of universities. It was a word hardly heard in South Africa’s struggle lexicon and many asked: What exactly is decolonisation? This edited volume brings together the best minds in curriculum theory to address this important question. In the process, several critical questions are raised: Is decolonisation simply a slogan for addressing other pressing concerns on campuses and in society? What ...
Civilising Grass
Civilising Grass is a socio-cultural analysis of the lawn on the South African highveld, exploring the complex relationship between landscape and power in the country’s colonial, modernist and post-apartheid eras Drawing from eco-criticism, queer theory, art history and postcolonial studies, this book offers a lively and provocative reading of texts and illustrations to reveal the racial and gendered aspects of ‘natural’ environments. It argues that the lawn, an ordinary and often overlooked feature of South African everyday life, is neither natural nor innocent. Rather, like other colonial landscapes, the lawn functions as a site of commonplace violence, of oppression, dispossession a...
The Getty Villa
The original Getty Museum, housed in a replica of a Roman Villa on a site overlooking the Pacific Ocean, is one of Los Angeles's most treasured landmarks. Closed for almost ten years while renovations were made to the building and the site itself was transformed into a center for the study of antiquities and conservation, the Getty Villa is now set to open late in 2005. The Getty Villa is a lively history of the Getty Museum, its renowned antiquities collections, and its growth from a small museum in a ranch house in Malibu to its first home in a building designed to replicate what we know of the Villa dei Papiri, an ancient Roman villa partially uncovered in Herculaneum. Most engagingly, th...
