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Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.
The declaration that a work of art is “about sex” is often announced to the public as a scandal after which there is nothing else to say about the work or the artist-controversy concludes a conversation when instead it should begin a new one. Moving beyond debates about pornography and censorship, Jennifer Doyle shows us that sex in art is as diverse as sex in everyday life: exciting, ordinary, emotional, traumatic, embarrassing, funny, even profoundly boring. Sex Objects examines the reception and frequent misunderstanding of highly sexualized images, words, and performances. In chapters on the “boring parts” of Moby-Dick, the scandals that dogged the painter Thomas Eakins, the role...
A clear-eyed critique of collegiate jurisprudence, as the process of administering student protests and sexual-assault complaints rolls along a Möbius strip of shifting legality. The management of sexuality has been sewn into the campus. Sex has its own administrative unit. It is a bureaucratic progression. —from Campus Sex, Campus Security The psychic life of the university campus is ugly. The idyllic green quad is framed by paranoid cops and an anxious risk-management team. A student is beaten, another is soaked with pepper spray. A professor is thrown to the ground and arrested, charged with felony assault. As the campus is fiscally strip-mined, the country is seized by a crisis of con...
Andy Warhol was queer in more ways than one. This work explores, analyzes, and celebrates the role of Warhol's queerness in the making and reception of his film and art. It demonstrates that to ignore Warhol's queerness is to miss what is most valuable, interesting, sexy, and political about his life and work.
Over the course of two years, Jennifer Doyle filed multiple harassment complaints with her campus’s Title IX office and one with the Department of Labor. Her experiences with these complaints and how they subsequently impacted her life have led to this book, Shadow of My Shadow. Doyle tells her personal story, sharing how she lost her sense of voice, felt exposed at work, became distrustful of students and colleagues, and was consumed by grief. Working across autobiography, literary criticism, an analysis of the Larry Nassar Title IX case, and a larger institutional critique of harassment administration, Doyle shows that harassment is at once intimate, dynamic, and intensely social, flourishing in neglected social spaces. In her own case, it profoundly reshaped her relationship to her work, her writing, and ultimately to herself. As Doyle explains, the experience drew out the distance between herself in the world and herself on the page. This book is her effort to understand and repair that breach and to consider how loss and grief can be sources of insight and compassion.
A human and human-presenting AI slowly become friends—and maybe more—in this moving YA graphic novel In a near future, augmentation and AI changed everything and nothing. Indira is a human girl who has been cybernetically augmented after a tragic accident, and Fawn is one of the first human-presenting AI. They have the same internship at a gallery, but neither thinks much of the other’s photography. But after a huge public blowout, their mentor gives them an ultimatum: work together on a project or leave her gallery forever. Grudgingly, the two begin to collaborate, and what comes out of it is astounding and revealing for both of them. Pixels of You is about the slow transformation of a rivalry to a friendship to something more as Indira and Fawn navigate each other, the world around them—and what it means to be an artist and a person.
Edited by Nicholas Baume. Essays by Jennifer Doyle and Wayne Koestenbaum. Foreword by Jill Medvedow.
'Quirky, clever, and original, this will break your heart, but put it back together again' Katie Fforde 'A quirky, poignant book about love and family which I found myself racing through' Libby Page 'One of my favourites of 2018' Amazon reviewer Fans of Jojo Moyes, Cecilia Ahern and Marian Keyes will love this debut novel by Emma Cooper. Shortlisted for the RNA Contemporary Novel Award The Songs of Us is a laugh-out-loud, funny and heartbreaking novel of love, loss and what it means to be a family. If Melody hadn't run out of de-icer that day, she would never have slipped and banged her head. She wouldn't be left with a condition that makes her sing when she's nervous. And she definitely wou...
'Read it in a day. . . It is BRILLIANT' - DERVLA McTIERNANIn this propulsive locked-room thriller, a reunion weekend in the French Alps turns deadly when five friends discover someone has deliberately stranded them in a deserted mountaintop resortWhen former snowboarder Milla is invited to a reunion at the French Alps resort that saw the peak of her career, she drops everything to go. The group haven't seen each other since the disappearance of the beautiful and enigmatic Saskia ten years ago, and while Milla has tried to bury the events of that winter, the invitation comes from Curtis - how could she say no?But when an icebreaker game turns menacing, the five friends realise they don't know...
At a time when "sexy" can be an adjective for anything, when sexual awareness is declared to be advancing faster in months than in the past half century, and when pundits warn of sexual overload, the actual representation of sex is still deemed confrontational, aggressive, "in your face." While critics accuse the academy of an obsession with sexuality, they also complain that nothing that appears to refer to sex really does. In readings ranging across film, drama, opera, fine art, and critical theory, Mandy Merck considers these phenomena as well as the role of the dog in anti-porn propaganda, the unacknowledged significance of the lesbian hand, and the early retirement of the phallus. Other...