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Andy Warhol was queer in more ways than one. This work explores, analyzes, and celebrates the role of Warhol's queerness in the making and reception of his film and art. It demonstrates that to ignore Warhol's queerness is to miss what is most valuable, interesting, sexy, and political about his life and work.
A human and human-presenting AI slowly become friends—and maybe more—in this moving YA graphic novel In a near future, augmentation and AI changed everything and nothing. Indira is a human girl who has been cybernetically augmented after a tragic accident, and Fawn is one of the first human-presenting AI. They have the same internship at a gallery, but neither thinks much of the other’s photography. But after a huge public blowout, their mentor gives them an ultimatum: work together on a project or leave her gallery forever. Grudgingly, the two begin to collaborate, and what comes out of it is astounding and revealing for both of them. Pixels of You is about the slow transformation of a rivalry to a friendship to something more as Indira and Fawn navigate each other, the world around them—and what it means to be an artist and a person.
Kicking ass and taking notes—what it’s like to be a woman in the ring. Alison Dean teaches English literature. She also punches people. Hard. But despite several amateur fights under her belt, she knows she will never be taken as seriously as a male boxer. “You punch like a girl” still isn’t a compliment — women aren’t supposed to choose to participate in violence. Her unique perspective as a 30-something university lecturer turned amateur fighter allows Dean to articulately and with great insight delve into the ways martial arts can change a person’s — and particularly a woman’s — relationship to their body and to the world around them, and at the same time considers t...
'Quirky, clever, and original, this will break your heart, but put it back together again' Katie Fforde 'A quirky, poignant book about love and family which I found myself racing through' Libby Page 'One of my favourites of 2018' Amazon reviewer Fans of Jojo Moyes, Cecilia Ahern and Marian Keyes will love this debut novel by Emma Cooper. Shortlisted for the RNA Contemporary Novel Award The Songs of Us is a laugh-out-loud, funny and heartbreaking novel of love, loss and what it means to be a family. If Melody hadn't run out of de-icer that day, she would never have slipped and banged her head. She wouldn't be left with a condition that makes her sing when she's nervous. And she definitely wou...
Edited by Nicholas Baume. Essays by Jennifer Doyle and Wayne Koestenbaum. Foreword by Jill Medvedow.
'Hannah's writing makes me laugh and laugh and LAUGH... I am officially a fan girl' Lucy Vine Welcome to Izzy's rollercoaster year of saying yes. Get ready for non-stop hilarity, unadulterated entertainment and the journey of a lifetime. The Year of Saying Yes was originally published as a four-part serial. This is the complete story! For fans of Anna Bell and Zoe May... Dear Readers, I hold my hands up: I'm stuck in a rut. For three years and counting I've been hopelessly in love with the same guy - and the closest we've ever got is a drunken arse grab (NB: this doesn't count). My favourite hobby is googling cats for spinsters and I'm sick of my shoestring salary that barely pays for my sho...
Over the course of two years, Jennifer Doyle filed multiple harassment complaints with her campus’s Title IX office and one with the Department of Labor. Her experiences with these complaints and how they subsequently impacted her life have led to this book, Shadow of My Shadow. Doyle tells her personal story, sharing how she lost her sense of voice, felt exposed at work, became distrustful of students and colleagues, and was consumed by grief. Working across autobiography, literary criticism, an analysis of the Larry Nassar Title IX case, and a larger institutional critique of harassment administration, Doyle shows that harassment is at once intimate, dynamic, and intensely social, flourishing in neglected social spaces. In her own case, it profoundly reshaped her relationship to her work, her writing, and ultimately to herself. As Doyle explains, the experience drew out the distance between herself in the world and herself on the page. This book is her effort to understand and repair that breach and to consider how loss and grief can be sources of insight and compassion.
Tracey Emin is one of Great Britain's best-known and most controversial artists. This catalogue accompanies the first major survey exhibition of Tracey Emin's work at the Hayward Gallery in London since her rise to prominence in the 1990s. Bringing together suites of works from across the artist's career emphasising the diversity of her dynamic practice, the exhibition spotlights her achievements in a wide variety of media, including sculpture, drawing, painting, text-based works, photographs, video and performance. The book is conceived and produced in close collaboration with the artist and designed by Graphic Thought Facility, London. The exhibition shows at Hayward Gallery, London, 18 May - 29 August 2011
'Read it in a day. . . It is BRILLIANT' - DERVLA McTIERNANIn this propulsive locked-room thriller, a reunion weekend in the French Alps turns deadly when five friends discover someone has deliberately stranded them in a deserted mountaintop resortWhen former snowboarder Milla is invited to a reunion at the French Alps resort that saw the peak of her career, she drops everything to go. The group haven't seen each other since the disappearance of the beautiful and enigmatic Saskia ten years ago, and while Milla has tried to bury the events of that winter, the invitation comes from Curtis - how could she say no?But when an icebreaker game turns menacing, the five friends realise they don't know...
In Hold It Against Me, Jennifer Doyle explores the relationship between difficulty and emotion in contemporary art, treating emotion as an artist's medium. She encourages readers to examine the ways in which works of art challenge how we experience not only the artist's feelings, but our own. Discussing performance art, painting, and photography, Doyle provides new perspectives on artists including Ron Athey, Aliza Shvarts, Thomas Eakins, James Luna, Carrie Mae Weems, and David Wojnarowicz. Confronting the challenge of writing about difficult works of art, she shows how these artists work with feelings as a means to question our assumptions about identity, intimacy, and expression. They depl...