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Sexuality and Subordination
Sexuality and Subordination uses the insights of a range of disciplines to examine the construction of gender in nineteenth-century Britain and France. With contributions from history, literature, sociology and philosophy, its interdisciplinary approach demonstrates the extent to which a common focus can illuminate problems inaccessible to any single discipline. 'Victorianism' is generally understood to mean sexual double standards, hypocrisy and prudery among the middle classes. But, as this collection shows, the representation of sexuality in the nineteenth century was more diverse and complex than is sometimes realized. Both art and literature point to the deployment of sexual metaphors and imagery, and the language of educated public opinion was shaped by the dichotomy between mind and matter, between rationality and sexuality. The contributors to this volume explore how women, in questioning their subordination, had to challenge a construction of femininity which imposed sexual ignorance.
Dickens and the Bible
At a time when biblical authority was under challenge from the Higher Criticism and evolutionary science, ‘what providence meant’ was the most keenly contested of questions. This book takes up the controversial subject of Dickens and religion, and offers a significant contribution to the interdisciplinary area of religion and literature. In a close study of major novels, it argues that networks of biblical allusion reveal the Judeo-Christian grand narrative as key to his development as a writer, and as the ontological ground on which he stands to appeal to ‘the conscience of a Christian people’. Engaging the biblical narrative in dialogue with other contemporary narratives that concern themselves with origins, destinations, and hermeneutic decipherments, the inimitable Dickens affirms the Bible’s still-active role in popular culture. The providential thinking of two twentieth-century theorists, Bakhtin and Ricoeur, sheds light on an exploration of Dickens’s narrative theology.
James McAuley
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Dickens's Style
Charles Dickens, generally regarded as the greatest novelist of the Victorian age, was known as 'The Inimitable', not least for his distinctive style of writing. This collection of twelve essays addresses the essential but often overlooked subject of Dickens's style, with each essay discussing a particular feature of his writing. All the essays consider Dickens's style conceptually, and they read it closely, demonstrating the ways it works on particular occasions. They show that style is not simply an aesthetic quality isolated from the deepest meanings of Dickens's fiction, but that it is inextricably involved with all kinds of historical, political and ideological concerns. Written in a lively and accessible manner by leading Dickens scholars, the collection ranges across all Dickens's writing, including the novels, journalism and letters.
Travel, Discovery, Transformation
This latest volume in the Culture & Civilization series gathers interdisciplinary voices to present a collection of essays on travel and travel narratives. The essays span a range of topics from iconic ancient travel stories to modern tourism. They discuss travel in the ancient world, modern heroic travels, the literary culture of missionary travel, the intersection of fiction and travel narratives, modern literary traditions and visions of Greece, personal identity, and expatriation. Essays also address travel memoirs, the re-imagining of worlds through travel, transformed landscapes and animals in travel narratives, diplomacy, English women travel writers, and pilgrimage and health in the ...
Dickens, Europe and the New Worlds
The essays collected in this volume offer fresh readings of Dickens's travelogues and novels, often pointing to the many-sidedness of his personality. The 'uncommercial traveller' emerges as an ecumenical John Bull, chary of the alien but greedy of novelty, a man whose incursions on well-trodden or unfamiliar ground are always journeys into the uncanny. Besides dealing with the geography of the novelist's imagination, the book explores numerous 'new worlds' such as the inspiring world of Victorian science and Dickens's responses to it or the world of modern literary theory that shapes our own responses to his work.
The Madder Stain
The “madder stain” imprinted on Tess d’Urberville’s arm is part of a motif which runs through Hardy’s fiction. This book attempts to approach that unknowable kernel of jouissance by using Lacan’s concepts of object-gaze and object-voice—sometimes revisited by Zizek.
The Magic Phrase
This is the first volume of essays by various hands on the work of the great Australian novelist Christina Stead (1902-83). It provides an overview of Stead criticism, including pioneering 'classic' essays, together with a selection from the burgeoning critical literature of the 1980s and '90s, and several articles not previously published.
