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Joan Sutherland’s debut, the notorious Petrov Commission, a rumoured ghost and rowdy public meetings give Canberra’s Albert Hall a history like no other. Albert Hall – the simple, elegant building at the heart of our national capital – was Canberra’s only performing arts centre for its first 40 years. The venue for weekly dances, art exhibitions, and tours by the Royal Ballet and the Australian Ballet, Albert Hall has also hosted citizenship ceremonies and important national occasions. This beautifully illustrated book shares the history of this Canberra landmark for the first time.
Dunes, sandstorms, freezing crags and searing heat; these are not the usual images of World War I. For many men from all over the British Empire, this was the experience of the Great War. Based on soldiers' accounts, this book reveals the hardships and complexity of British Empire soldiers' lives in this oft-forgotten but important campaign.
In this charming and concise book, Nicholas Brown looks beyond the clichés to illuminate the colourful history of Australia's capital.
Foreword: selective list of exhibitions and publications from the arts council collection between 1984 and 1988: list of purchasers: 60pp. 306 illus. 22x22cm.
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Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.
Cara David was to make her mark as a supporter of women's emancipation in the home and the workplace. She led the successful temperance campaign in NSW in 1915, one of the first examples of women using their voting power to influence legislation. Horsfield is a Canberra writer and historian with an interest in post-Federation Australian women.
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.