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Table Talk is a portable dinner party and a book to read alone while laughing out loud. Table Talk is a salon attended by your smartest friends and by all of the wittiest people they know. Table Talk is a collection of brief but critically acclaimed, half serious/half tongue–in–cheek pieces that borrow the format of The New Yorker's "Talk of the Town" column. Selected from several decades of The Threepenny Review, known colloquially as the West Coast's New York Review of Books, these anecdotal essays debate the historical, artistic, and technological developments of our time. Released to coincide with the 35th anniversary of The Threepenny Review in January 2015, Table Talk, edited by We...
This book provides a fresh look at one of the most enduring, absorbing, and universal questions human beings face: What happens to us after we die? In secular thought, the standard answer is simple: we disappear into oblivion. David Harmon takes us in a different direction, by making the case that a nonconscious portion of our personality survives death—literally, not figuratively—and explains how this kind of naturalistic afterlife can be emotionally relevant to us while we are still living. Combining insights from the arts, history, philosophy, and science, a compelling argument takes shape for an afterlife without God.
How war trauma haunted the films of Weimar Germany Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"—coined during Wo...
FINALIST for the 2017 Foreword INDIES Book of the Year Award in the Philosophy category Meditating on the work of American poet and environmental activist Gary Snyder and thirteenth-century Japanese Zen Master Eihei Dōgen, Jason M. Wirth draws out insights for understanding our relation to the planet's ongoing ecological crisis. He discusses what Dōgen calls "the Great Earth" and what Snyder calls "the Wild" as being comprised of the play of waters and mountains, emptiness and form, and then considers how these ideas can illuminate the spiritual and ethical dimensions of place. The book culminates in a discussion of earth democracy, a place-based sense of communion where all beings are interconnected and all beings matter. This radical rethinking of what it means to inhabit the earth will inspire lovers of Snyder's poetry, Zen practitioners, environmental philosophers, and anyone concerned about the global ecological crisis.
Examines ideas of violence in German culture after 9/11 through the lens of "violence elsewhere" - exploring works and discourses about violence in distant locations or times. Following the Nazi era, the Holocaust, and the Second World War, in postwar Germany thinking or speaking about that extreme violence seemed distinctively difficult - even perhaps, at times, impossible. Yet we can learn about understandings of violence in this period in novel ways by exploring images and constructions in German culture of faraway violence, as shown in the recent volume Violence Elsewhere 1: Imagining Distant Violence in Germany, 1945-2001. As of September 11, 2001, violence came to appear transnationall...
In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture. Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state. Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.
German imperialism in Europe evokes images of military aggression and ethnic cleansing. Yet, even under the Third Reich, Germans deployed more subtle forms of influence that can be called soft power or informal imperialism. Stephen G. Gross examines how, between 1918 and 1941, German businessmen and academics turned their nation - an economic wreck after World War I - into the single largest trading partner with the Balkan states, their primary source for development aid and their diplomatic patron. Building on traditions from the 1890s and working through transnational trade fairs, chambers of commerce, educational exchange programmes and development projects, Germans collaborated with Croatians, Serbians and Romanians to create a continental bloc, and to exclude Jews from commerce. By gaining access to critical resources during a global depression, the proponents of soft power enabled Hitler to militarise the German economy and helped make the Third Reich's territorial conquests after 1939 economically possible.
Publisher description
This book gives a detailed account of how two major Austrian banks profited from their service to the Nazi regime.
“A tour de force that both challenges and expands our understanding of the very practice of philosophy . . . and comparative philosophy in particular” (Joseph Markowski, Reading Religion). In Nietzche and Other Buddhas, author Jason M. Wirth brings major East Asian Buddhist thinkers into radical dialogue with key Continental philosophers through a series of exercises that pursue what is traditionally called comparative or intercultural philosophy. In the process, he reflects on what makes such exercises possible and intelligible. The primary questions Wirth asks are: How does this particular engagement and confrontation challenge and radicalize what is sometimes called comparative or intercultural philosophy? How does this task reconsider what is meant by philosophy? The confrontations that Wirth sets up between Dogen, Hakuin, Linji, Shinran, Nietzsche, Schopenhauer, James, and Deleuze consider the nature of philosophy—and especially comparative philosophy—from a global perspective. This global perspective in turn opens up a new and challenging space of thought within and between the cutting edges of Western Continental philosophy and East Asian Buddhist practice.