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This volume gives voice to cultural institutions working with collections of Islamic art and material culture globally, including many from outside Western Europe and North America. The contributions inform a vibrant, ongoing global conversation around curatorship in this field, one that embraces the responsibilities, challenges and opportunities for those engaged in it. Contributors—including art historians, curators and education specialists—discuss curatorial methodologies in theoretical and practical terms, present new exhibitions of Islamic art and culture, and explore the role of educational and engagement practices related to Islamic collections and Muslim audiences.
Mosque examines the history, culture, evolution and functions of the Muslim house of worship through the prism of its artistic objects and architectural elements. Contributors present a range of elements, from dome to mihrab, to mosque furniture including lamps, prayer rugs and Qur’an stands. In addition, the book draws attention to the importance of mosque heritage through special projects and initiatives that study, preserve and revitalize the traditional arts of the mosque. This unique book brings together prominent architects, art historians, artists, historians and curators to explore innovative approaches towards the study of mosques through the presentation of original research and insights about mosque-related cultural objects. It is essential reading for anyone interested in the art and culture of the Muslim world.
This groundbreaking book tells the untold story of Indonesian Islam in museums. Often overshadowed by Hindu-Buddhist art, Indonesian Islamic heritage rarely receives the attention it deserves in museum collections and exhibitions. This book unravels the historical silences rooted in Dutch colonial rule that have marginalized Indonesian Islamic material culture. Delving into the colonial archives, it traces the journey of Indonesian objects in Dutch museums, exploring their original meanings and their re-appropriation during instances of collecting, classification, interpretation and public display. Through this lens, the book addresses the enduring impacts of colonialism and offers pathways for the decolonization of museums today.
"Providing detailed case studies, this book explores the vibrant digital expressions of diverse groups of Muslim cybernauts: religious clerics and Sufi mystics, feminists and fashionistas, artists and activists, Hajj pilgrims and celebrities. Together, these stories span a vast cultural and geographic landscape, including Indonesia, Iran, the Middle East, and the United States. These case studies are contextualized within the backdrop of broader social trends, including racism and Islamophobia, gender dynamics, celebrity culture, identity politics, and the shifting dynamics of contemporary religious piety and practice. Authors examine a wide-range of digital multimedia technologies as primary ''texts." These include websites, podcasts, Twitter, Facebook, Instagram, YouTube channels, online magazines and discussion forums, and religious apps. The book's contributors draw on the methodological and theoretical models of multiple academic disciplines, including Religious Studies, Cultural Anthropology, Global Studies, Communication and Media Studies, Religious Studies, and Islamic Studies"--
This volume analyses British exhibitions of Middle Eastern (particularly ancient Egyptian and Persian) artefacts during the nineteenth and early twentieth centuries – examining how these exhibitions defined British self image in response to the Middle Eastern ‘other’. This study is an original interpretation of the exhibition space along intersectional constructionist lines, revealing how forces such as gender, race, morality and space come together to provide an argument for British supremacy. The position of museums as instruments of representation of display made them important points of contact between the British national imperialist scheme and the public. Displays in the British ...
This is the first history of Indian music and musicians during the transition from Mughal to British rule, c.1748-1858.
While the nation-state gave rise to the advent of museums, its influence in times of transculturality and post-/decolonial studies appears to have vanished. But is this really the case? With case studies from various geo- and sociopolitical contexts from around the globe, the contributors investigate which roles the nation-state continues to play in museums, collections, and heritage. They answer the question to which degree the nation-state still determines practices of collection and circulation and its amount of power to shape contemporary narratives. The volume thus examines the contradictions at play when the necessary claim for transculturality meets the institutions of the nation-state. With contributions by Stanislas Spero Adotevi, Sebastián Eduardo Dávila, Natasha Ginwala, Monica Hanna, Rajkamal Kahlon, Suzana Milevska, Mirjam Shatanawi, Kavita Singh, Ruth Stamm, Andrea Witcomb.
Exhibitions of Islamic artefacts in European museums have since 1989 been surrounded by a growing rhetoric of cultural tolerance, in response to the dissemination of images of Islam as misogynist, homophobic and violent. This has produced a new public context for exhibitions of Islam and has led to major recent investments in new galleries for Islamic artefacts, often with financial support from the Gulf and Saudi Arabia. This Element addresses contemporary framings of Islam in European museums, focusing on how museums in Germany and the UK with collections of Islamic heritage realise the ICOM (International Council of Museums) definition of museums as institutions in the service of society. The authors find that far too often the knowledge of Islamic cultural heritage is disconnected from contemporary developments in museum transformations, as well as from the geopolitical contexts they are a response to.
A Companion to the American South surveys and evaluates the most important and innovative writing on the entire sweep of the history of the southern United States. Contains 29 original essays by leading experts in American Southern history. Covers the entire sweep of Southern history, including slavery, politics, the Civil War, race relations, religion, and women's history. Surveys and evaluates the best scholarship on every important era and topic. Summarizes current debates and anticipates future concerns.