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Jenny Saville
Bringing together 17 works from private and public collections across the globe, this will be the first museum exhibition of Saville?s work ever to be held in Scotland, and only her third in the UK. The selection spans 26 years, from iconic early paintings such as Propped (1992) and Trace (1993-4), to recent charcoal and pastel drawings, demonstrating how Saville?s approach to depicting the human body has shifted over the course of her career. Other highlights will include a series of large-scale head paintings, such as Rosetta II (2005-6), made while the artist was based in Italy, and the premier of a major new work, Aleppo (2017-18), which is at the Scottish National Gallery alongside historic works from the collection.00Exhibition: Scottish National Gallery of Art, Edinburgh, UK (24.03.-16.09.2018).
Jenny Saville. Catalogo della mostra (Roma, 22 gennaio-1 maggio 2005). Ediz. italiana e inglese
Published to accompany an exhibition held at Museo d'arte, Rome, 22 Jan - 1 May 2005.
Jenny Saville
Published to accompany the exhibition held at the Gagosian Gallery, New York, 2 October - 18 December 1999.
Closed Contact
After having observed the operations of reconstructive surgery and aesthetic surgery, acclaimed figurative painter Jenny Saville was eager to express the violence and anesthetized pain of this experience in her own work. She and fashion photographer Glenn Luchford thus began an artistic collaboration that captures the full range of color, tonality, and topography of live flesh, in large photographic tableaux that portray Saville's own body. Distortions confront and coerce the viewer into an examination of his or her own body and the grotesqueries and beauties inherent within; the images likewise recall biological specimens preserved, disembodied, and disfigured. The collusion of the art and fashion worlds has produced many hybrids in recent years, yet none perhaps none as intensely striking as this series.
Rembrandt's Universe
'Rembrandt's Venice' covers Rembrandt's art and life - his work as an artist, his family, friends and patrons, and his place in European culture. It is intended for art lovers, art students and museum-goers.
Egon Schiele - Jenny Saville
This catalogue brings together the work of seminal Austrian painter Egon Schiele (1890-1918) and young British artist Jenny Saville for the first time. Revealed is the stylistic and thematic proximity of the body-landscapes and portraits by the two young "stars". The paint ings and drawings of both artists lend the human body an insistent corporeality, which is rendered in every detail. In Schiele's self-portraits, usually small-format works, the pose, the accentuated view from below, and gestural style give the images a visual impact equal to the forceful punch of Saville's giant formats.
Willem de Kooning
This catalogue of an exhibition held at Gagosian Gallery, New York, highlights the critical three-year period, 1983–1985, in the last decade of de Kooning’s long career, during which he radically transformed his style. The paintings in this catalogue were selected by John Elderfield, curator of the widely acclaimed, full-scale retrospective of de Kooning’s work held at MoMA in 2011–12. Of the works of this period, Elderfield observed: "De Kooning truly reinvented himself in these extraordinary canvases.…They remain not only spatially complex, but also extremely physical pictures, both visually open and densely embodied." Elderfield’s essay discusses ten themes in de Kooning’s work specific to these paintings. The book also includes texts by five painters reflecting on de Kooning’s late works.
Jenny Saville
Jenny Saville in conversation with John Richardson. (pp.4-15)
Visions of the Self: Rembrandt and Now
A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artist...
Jenny Saville
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